Adapted from "Adventures in Color-Slide Photography" by Eastman Kodak is a list of practical tips on photography for teachers. (CS)

Describes work at an American college with students who are receiving an introduction to colloquial German. Role-playing and picture stories prove useful in learning, in both productive and receptive aspects. Describing a picture on three levels--factual, psychological and contemplative--is shown to be very useful. (IFS/WGA)

Driver instruction through the medium of a foreign language is useful in teaching vocabulary, grammar, and culture. The maps, driving manuals, and cars stimulate discussion and communication. Course techniques can include Asher's concept of Total Physical Response wherein students act in response to commands in the foreign language. (PMJ)

Details are given about some activities designed to help students convey three-dimensional objects into two-dimensional representations by constructing and drawing buildings of blocks. (MP)

The following aspects of using the overhead projector in the advanced reading class are discussed: (1) control of focus by pointing, underlining, or circling; (2) control of how much text the students read at one time; (3) use of overlays to isolate different aspects of the text; and (4) progressive processing of the text. (SW)

Reviews 12 recent kits, transparencies, texts, and/or workbooks for various grade levels on study skills, library reference skills, and map and graph reading. (SJL)

Describes how the use of stamps from francophone and other countries may be an adjunct to the teaching of French language and culture. (AM)

Describes: how to measure index of refraction by the thickness method; how to teach the concept of torque using a torque wrench; how to produce a real image with a concave mirror; how to eliminate the interface effects of a Pyrex containers; and an apparatus to illustrate Bernoulli's Principle. (MLH)

From a research program to identify the types of visual materials that would be most effective in helping industrial education students to learn from different instructional formats, the author concludes that the effectiveness of visualized instruction depends upon the type of visual used, the method of instruction, student characteristics, and…

Discusses the laboratory portion of a beginning noncalculus physics course that uses concrete examples of abstract concepts. Describes the use of coffee cans to explain oscillations and plastic darts to illustrate collisions. (MLH)

Discussion of the use of advanced modeling and simulation technologies in training focuses on the Specialized Undergraduate Pilot Training program developed by the Air Force. Training challenges and needs are described and technology solutions are explained, including visual displays, computer-assisted instruction, instructional simulations, and…

Steps in preparing effective overhead projector transparencies for college instruction are outlined, using the PowerPoint program for Windows. They include thinking analogically in translating from concept to visual form; using the features of the presentation program to create a polished product; and assuring readability (visibility, typeface…

To provide college students with a conceptual model of how their network connects to the Internet, and enable them to understand the principles of sending e-mail and using other telecomputing resources, signs were created using a graphics program with different icons representing each network component. The signs were then attached to students who…

Describes a computer-based concept mapping tool that provides rich representational capabilities, including dynamic imagery (video, animated images, sound) and multiple levels of abstraction. The tool can automatically translate a concept map into an alternative representation-an outline-that contains all of the knowledge contained in a…

Presents the results of a study in which prospective music and elementary school teachers were observed to examine their ability in following visual representations used to enhance music listening experiences. Explains that the focus is on the use of listening maps (iconic representations of musical samples). (CMK)