Considers a number of questions connected to the world of visual art that artists, art educators, and writers about art view as essential. These questions cover broad areas such as definitions and purposes, as well as, more specific concerns such as women artists and the art market. (MJP)

Responds to Charles Fowler's article, "Arts Education and the NEA: Does the National Science Foundation Point the Way?" Does not agree that the National Science Foundation's approach to education is a suitable model for arts education. Suggests replacing the National Endowment for the Arts with a Department of Cultural Resources.…

Explores the problems of teaching art to preadolescents by taking into account the experiences and reflections of the teachers, students, and the researcher. Uses cross-site analysis and categorizes the problems into three groups: (1) contradictions in student behaviors; (2) instructional demands; and (3) institutional contingencies. Includes…

Describes an art exercise that helps students understand the abstract concept of line. Working in groups, students list things that can be found under the earth and then individually create layered earth drawings. A writing exercise follows that encourages analytical thinking and gives students a chance to explain what they discovered. (GG)

Describes a new system for teaching architectural education known as Architectural Design Education. States that this system, developed by Anne Taylor and George Vlastos, introduces students to the problem solving process, integrates creative activities with traditional disciplines, and enhances students' and teachers' ability to relate to their…

Discusses the founding, development, and issues surrounding the Barnes Foundation and its art collection, specifically designed for art education. Also discusses myths about Albert C. Barnes, the Barnes Foundation, and its relationship to the ideas of John Dewey. (CFR)

Asserts that, although it has been ignored by most art historians and art educators, the Barnes Foundation was founded upon a unique African/African American esthetic influence. Describes influences on the life of Dr. Albert C. Barnes, his world view, and the decision to establish the Barnes Foundation and its art collection. (CFR)

Contends that design basics are fundamental for anyone who has worked in art education for some time; yet, there is disagreement about basic design results. Discusses the history of design and design education. Asserts that the question art educators face is whether to continue what began as a form of moral control over artwork. (CFR)

Maintains that art museums have developed new strategies and resources to provide services to art teachers, other educators, and students. Presents four classroom lessons utilizing paintings and other exhibits from the Art Institute of Chicago (Illinois). (CFR)

Describes a collaborative project involving teachers, administrators, university faculty, and museum staff that developed two interdisciplinary instructional kits. Includes four lesson plans combining social studies, language arts, science, and mathematics with art instruction. Also includes four full-page, color photographs of art objects. (CFR)

African-American women have played a major role in the history of the arts. This history, which is filled with discrimination, is traced for music, dance, drama, and the visual arts. Those who have overcome these obstacles can be effective teachers for future audiences, artists, and decision makers. (SLD)

Presents a metacritical examination of published essays by three professional critics of Richard Avedon's photographic exhibition, "In the American West," to determine how critics describe art work. Concludes that more comparative research is needed to bridge the gap between professional art criticism and that taught in schools. (KM)

Argues that art educators must be acquainted with recent trends in art history, particularly the shift from connoisseurship toward cultural and sociological concerns. Presents a brief overview of art history practice in schools, followed by some recommendations for teaching from new perspectives. (KM)

Presents four lesson plans designed to teach about Frank Lloyd Wright's "Hollyhock House" to primary, intermediate, and secondary art students. Provides an overview describing the history and design of the house, including its relationship to Mayan architecture. Includes nine photographs and original drawings of the building. (CFR)

Examines how three different feedback methods and drawing approaches influenced peer interaction among fifth grade students and their communication with the teacher. Suggests that the frequency of different types of talk was influenced by the form of teacher feedback, the drawing approaches used in the lesson, and other contextual factors. (KM)