Described is a program which brought talented high school juniors to a summer camp where they participated in ceramics and drawing programs. It took place on the Plymouth State College campus where group classes were taught by professionals using an interdisciplinary approach. (KC)

Transcripts of the spontaneous remarks of adult visitors to a fine arts museum were analyzed according to four models of aesthetic experience. An expanded alternative model is proposed that incorporates some features from each model to better describe how visitors respond to the aesthetic experience. (SLD)

Self Help Graphics is a community art center in East Los Angeles whose mission is to empower the Chicano community by instilling pride in their culture through the visual arts. Its programs have instructed youth, enabled like-minded artists to exchange ideas and artistically express political views, and elevated appreciation of Chicano art…

Discusses the artwork of Chuck Close, who is well known for his over-sized portraits of fellow artists and anonymous sitters, and the exhibition of his work that premiered at New York's Museum of Modern Art before traveling to other cities in the United States. (CMK)

This paper examines the onto-epistemic status and understanding of contemporary material culture and of visual art, particularly in the context of gallery education. It does so through a case study of the response of 15 year-old school students in the Czech Republic and in England to a recent photographic exhibition, I.N.R.I., created by artists…

Postcards Home using photography, scanning, digital image manipulation, text and colour printing was the third Download project devised by the education department of the Whitechapel Art Gallery, London, England. It was led by artist Laurie Long with teachers and pupils from Pooles Park primary school in Islington, an inner city borough in North…

The hearing was opened by Representative Pat Williams of Montana, who explained that the Subcommittee on Postsecondary Education of which he is chairman, has jurisdiction over the National Endowments for Arts and Humanities and the Institute of Museum Services (IMS), and that programs in these agencies account for the largest portion of federal…

The Visual Arts Program of the National Endowment of the Arts undertook a survey to determine the economic conditions of artists and the processes by which they exhibit works in four cities located outside the major art centers of New York City, Los Angeles, and Chicago. The selected market areas included Houston, Minneapolis, Washington, and San…

This monograph presents descriptions of programs and projects concerned with career education in the visual arts that were identified in a national survey of state art directors, regional and city art supervisors, and others who had knowledge of ongoing art programs. The first of eight sections contains programs which have been planned and…

This report contains the results of a 1978 study of arts programs conducted through the public and private schools community organizations and art institutions that provide art education for New York City public school children. The process of "arts in education" is defined as "any person or persons imparting knowledge through a…

Brief in coverage and mainly pictorial, the booklet emphasizes the relationship between art, music, humanities, and speech and drama. These activities are housed in separate buildings clustered around and linked together through an enclosed courtyard which contains an all-weather garden and exhibit galleries. This physical proximity and linking…

This manual deals with the organization of museums. The manual includes 10 chapters written by different people involved in museum work in various parts of the world. Chapter I, The Museum and Its Functions, deals with such topics as definition, collecting, identifying, and recording. Chapter II considers the administration of museums. Chapter…

The permanent exhibition, the most typical form of museum exhibition, has failed to attract repeated visitation, since visitors quickly become familiar with the objects shown. The temporary exhibition evolved as a result for the need of repeated visitation. The temporary exhibition, set up for a period of one to six months, introduces fresh…

A review of the historical background and funding of the Detroit Institute of Arts is followed by a discussion of some of the many legal problems encountered including those involving gifts, funding, control, regulation of artwork reproductions, protection against general liability, and the acquisition of other nations' artifacts. (JMD)

It is argued that the present limitations of federal funding for the arts are attributable to attitudes of professionals in arts organizations rather than to faults in the framework of public assistance. When private patronage has been inadequate federal funds have been provided, but always as supplements to the private sector. (JMD)