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Clark, Gilbert; Zimmerman, Enid – Art Education, 2000
Describes Project ARTS (Arts for Rural Teachers and Students), a 3-year community-based research and development program for students with high interest and abilities in the performing and visual arts. Focuses on the project's curriculum and assessment. Addresses the applicability of the program to other rural areas. (CMK)
Descriptors: Art Education, Curriculum Development, Elementary Education, Fine Arts
Hinshaw, Craig – Arts & Activities, 1999
Describes how to make tunnel books, which are viewed by looking into a "tunnel" created by accordion-folded expanding sides. Suggests possible themes. Describes how to create a walk-through tunnel book for first grade students. (CMK)
Descriptors: Art Education, Art Materials, Art Products, Childrens Art
Sartorius, Tara Cady – Arts & Activities, 1999
Addresses Edward Hopper's painting "Light at Two Lights" and the painting's real life subject, Cape Elizabeth Light (Maine). Discusses the fate of lighthouses; includes lessons in visual arts, mathematics and science, language arts, geography, and social studies; and lists internet sites for Edward Hopper and lighthouses. (CMK)
Descriptors: Art Education, Artists, Elementary Secondary Education, Geography Instruction
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Lehman, Paul R. – Music Educators Journal, 1999
Considers the National Assessment of Educational Progress (NAEP) 1997 Arts Report Card. The NAEP assessment provides data on what eighth-graders know and can do in music, visual arts, and theater. Evaluates the assessment, discusses the results, and addresses a call for action. (CMK)
Descriptors: Advocacy, Art Education, Educational Assessment, Grade 8
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Moats, Tamara; Wodzicki, Halinka – Art Education, 2000
Presents an instructional resource appropriate for fourth- to eight-graders focusing on four artworks that depict the story of U.S. landscape painting and the influences of technological change. Includes background information about the authors and artworks, discussion questions, an exercise that allows students to study the artwork, and suggested…
Descriptors: Art Education, Artists, Discussion (Teaching Technique), Educational Strategies
Basso, Robert – Arts & Activities, 1998
Presents a lesson plan that enabled students to create their own portraits in the style of Pablo Picasso; students utilized their initial collages/drawings, enlarging them with an overhead projector, to paint their final products using oil pastels. Indicates the students also learned about the different "periods" of Picasso's artistic…
Descriptors: Art Education, Art Expression, Art History, Collage
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Bresler, Liora – Arts Education Policy Review, 1997
Introduces articles from a symposium about arts education in three Scandinavian countries (Norway, Sweden, and Denmark). Explains that the articles portray the relevant contexts for arts education, including the prevailing movements in arts education over the past century, general contents of the educational system, and the values and traditions…
Descriptors: Art Education, Conferences, Cultural Awareness, Educational History
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Call, Michael – Interdisciplinary Humanities, 1997
Attempts to explain Claude Monet's obsession with water lilies in the last 25 years of his life through an interdisciplinary approach combining ideas from the history of landscape design, social history, and anthropology. Offers Monet's gardens at Giverny (France), his series paintings, and the railroad as some possible influences on his painting.…
Descriptors: Anthropology, Art Expression, Artists, Cultural Influences
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Powe, Faye – Social Education, 1998
Presents a workbook extract from the teaching resource kit entitled "Land and Landscapes: Views of America's History and Culture" that examines landscape paintings and photographs from the 19th century to the present. Explains that the main focus of this extract is to question how European American views about landownership affected…
Descriptors: American Indians, Art Expression, Cultural Differences, Elementary Secondary Education
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Willeke, Audrone B. – Unterrichtspraxis/Teaching German, 2001
Describes the objectives, methodology, and resources for a college German course, taught in English, that examines the concept of "outsider" and is aimed at fostering critical thinking, ethical relations, and understanding of contexts. It traces representations of cultural groups in literature and the visual arts. Students learn to question…
Descriptors: Classroom Techniques, College Students, Critical Thinking, Cultural Differences
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Careau, Steven – Michigan Community College Journal: Research & Practice, 2001
Describes an honors-level fine arts seminar that culminates in the creation of an 'unnamed' object. Stresses direct manipulation of materials leading to works free of conceptual pre-determination. Argues that naming follows creation; leaving a work unnamed allows artists to experience the dynamic of creation. (NB)
Descriptors: Art, Art Activities, Art Education, Art Materials
Sartorius, Tara Cady – Arts & Activities, 2000
Describes the work of art titled "Aftermath" by Michael Olszewski, who has described it as the aftermath of intense anger. Includes background information on Olszewski. Includes activities in science and chemistry, art history, social studies/psychology, mathematics, visual arts, and language arts. (CMK)
Descriptors: Art Education, Art Expression, Art History, Art Products
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James, Patricia – Studies in Art Education: A Journal of Issues and Research in Art Education, 2004
This case study focuses on one student as she engaged in a general education art course that integrated visual art, writing, and expressive movement. In the beginning of the semester, this elementary education major had little interest or experience in the arts. Over the semester, however, she moved from being resistant and fearful of art to being…
Descriptors: Education Majors, Teacher Education, Art Teachers, Elementary Education
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Cunliffe, Leslie – Journal of Aesthetic Education, 2001
Ludwig Wittgenstein's thought embraces two complementary projects: what he called his therapeutic work which was aimed at treating philosophical questions as though they were an illness, and his reconstructive work which emerges from this therapeutic endeavor. Wittgenstein describes his therapeutic work as an exercise that involves destroying…
Descriptors: Art Education, Aesthetics, Visual Arts, Art Therapy
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Morris, J. Andrew; Urbanski, John; Fuller, Janice – Journal of Management Education, 2005
This article presents a series of experiential exercises designed to use visual arts and poetry in classroom settings to increase students' awareness and recognition of emotion--two key components of emotional intelligence. Drawing on the liberal arts in the manner described in the exercises provides the instructor with a context in which students…
Descriptors: Business Administration Education, Emotional Intelligence, Visual Arts, Business Administration
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