Works of art can be a valuable tool for teaching reading skills, such as visual discrimination, language experience, word recognition, vocabulary, reading comprehension, and other language arts skills. Classroom activities based on art work are described. Sources of art reproductions are noted. (PP)

In this study of four hyperactive elementary children, the effects of painting and physical activities on attention-to-task were observed. Both techniques brought improvement, the pleasure of the activities seeming to provide an intrinsic reward which the children internalized, bringing increased attention-to-task to other classroom activities.…

The purpose of this study was: (1) to examine how artistic development is fostered in the playgroup setting; (2) to discover if between-playgroup effects are apparent in the developmental levels of children's painting, and (3) if such differences occur, to consider the relevance of supervisor behavior to these differences. Subjects were 48…

Discusses an art activity for fifth-grade students that focuses on the teaching technique called scratchboard. Explains that the subject of the assignment was sunflowers. States that sunflowers make good subject matter for children since the shape is geometric. Addresses how to create the scratchboard sunflowers. (CMK)

Describes an art lesson for high school seniors in an intermediate oil painting class. Explains that the teacher set up a still life with a ladder, easel, and a stool with a white background to capture the shadows. States that the students painted their still life in oil. (CMK)

Describes two activities (domain projects and process portfolios), used in a middle school setting, exemplifying a multiple intelligence (MI) approach to art. Proposes a format for infusing MI into art instruction at all grade levels. (DAJ)

Focuses on the Los Angeles Unified School District (LAUSD) (California) experiences for understanding how the arts must compete for resources. Explores how a cluster of schools in Los Angeles tried to implement visual arts programs addressing the Getty-Fairfax Project (a K-12 arts education project) in detail. (CMK)

Describes an art project that allows seventh and eighth grade students to participate in the "Middfest" in Middletown, Ohio, that honors a different country each year. Explains that the students created 10 feet high paintings of Greek philosophers for the Middfest focus on Greece. (CMK)

Provides a rationale for art career education and offers ideas for teaching art students about visual arts careers. Includes specific suggestions for art career lessons. Features students learning about art vocations through interviews with community members or field trips to demonstrate new technological innovations. (CMK)

Focuses on the life and career of Keiji Shinohara. Discusses his artwork,"Silence," and the techniques he used. Includes activities in a variety of subject areas, such as social studies, literature, science, mathematics, natural science, language, visual art, art, and religion. (CMK)

Explores whether reading skills can be enhanced by visual arts instruction. Provides results from two meta-analyses on: (1) whether art instruction improves reading on its own; and (2) whether teaching reading through art is more effective than teaching reading alone. (CMK)

Describes the educational system within the country of Ghana. Focuses on music education. Discusses the visual arts that constitute vocational skills within education. Addresses the need to move toward a systematic philosophy of arts education in Ghana. (CMK)

Discusses the place of design and technology in the national curriculum in England and Wales and its relationship to the art and design curriculum. Outlines the principal recommendations of the reports from the National Curriculum Working Group for Design and Technology. Summarizes the responses to the reports. (KM)

Reproduces the National Society for Education in Art and Design's (NSEAD) response to the report, "Design and Technology for Ages 5 to 16." Comments on attainment targets and statements of attainment, programs of study, profile components and assessments, key issues, and implementation. (KM)

Outlines three methods of introducing original paintings to young children: narratives, finding a consensus, and building on a shared experience. Analyzes the childrens' verbal and artistic responses. (KM)