Describes an art lesson used with children in the third grade to help them learn about symmetry, as well as encouraging them to draw larger than usual. Explains that students learn about the belief called "Horror Vacui" of the Northwest American Indian tribes and create their interpretation of this belief. (CMK)

Focuses on a project, Teacher Education in Art and Music Mizzou (TEAMM), that included music and art education majors as a way of encouraging collaboration among arts teachers. Explains that students were assigned to one of 17 groups that included at least one freshman and one upper-level student. Presents questionnaire results. (CMK)

Discusses the genesis of the Rembrandt Teaching Project, a discipline-based arts curriculum focusing on art history, art production, art criticism, and aesthetics. Developed for a group of New York City middle school students, the goal of the curriculum focuses on critical thinking skills. (DAJ)

A recently developed pictorial and musical program was used to teach abstract art to 12 elementary students with severe intellectual disabilities and 12 controls. There was a significant main instructional effect favoring pictorial with classical music over both pictorial only and pictorial with rock music. (Contains references.) (Author/CR)

Focuses on the artist, Laquita Thomson, whose inspiration are the stars and space. Discusses her series called, "Celestial Happenings: Stars Fell on Alabama." Describes one event that inspired an art work when a meteor crashed into an Alabama home. Includes lessons for various subject areas. (CMK)

Discusses the workshop for advanced (secondary) statistical analysis of the National Assessment of Educational Progress (NAEP) 1997 Arts Reports Card, attended by a team of arts researchers. Provides a discussion on the Arts Report Card, the secondary analysis, and an explanation of the database. Highlights implications for the field. (CMK)

Presents a multicultural project used with fourth-grade students in which they created a three-dimensional totem pole using leftover cereal boxes. Discusses in detail how to create the totem pole. Explains that students learned about Northwest American Indians in class. (CMK)

Presents a junior high school student art project where three-dimensional art sculptures of surfing, snow boarding, or dirt biking were created. Discusses how the students created their three-dimensional works of art using a clay-slab technique. (CMK)

Describes an art activity in which third-grade students learned about elements of color and value by mixing paints to create new colors. Discusses in detail how the students created three snowmen using the colors they mixed. Includes learning objectives, list of materials, and a national visual art standard addressed in this lesson. (CMK)

Single-subject multiple probe designs were employed in two studies with 5 young adults who had mental retardation and mental illness. After learning visual arts activity skills in Study 1 and personally expressive behaviors in Study 2, participants displayed improvement in behaviors associated with mental illness and increases in expressive…

Describes the objectives and scope of a larger research project on women's experiences in art and art education, in relation to creativity and society. Reviews research on women artists' experiences in the past and compares with data collected in contemporary women artists and students. Proposes to investigate these similarities further. (KM)

Examines the function of drawing by interviewing a wide range of people engaged in design activities. Promotes drawing for its vital contribution to two areas of design activities, exploration, and manipulation. Maintains that further research is necessary now that design and technology are part of the core curriculum in schools. (KM)

Seeks to clarify why drawing traditionally holds a central place in the art school program. Outlines what is meant by the Renaissance concept of drawing and how the role of drawing has changed over the centuries. (KM)

Explores the difficulties of combining aesthetic experience and educational settings. Postulates this is due to the nature of aesthetic experience as well as the art object itself. Argues that art metaphorically discusses not what is, but what develops and implies a relativistic, adaptive, temporal concept of truth. (CH)

Discusses the founding and activities of the National Arts Education Research Center, focusing on the site at the University of Illinois at Urbana-Champaign. Outlines the center's current seven project program, briefly describing each project. Defines the Center's purpose as seeking the best ways to teach and assess learning in the arts. (DB)