The unit is designed for presentation to gifted junior and senior high students interested in aesthetics. The orientation is to familiarize students with a variety of arts pieces while exploring related philosophical ideas. Information provided includes a listing of objectives, materials, and ideas for presentation for the following nine subjects:…

This guide is designed to help teachers develop sequential and creative art education programs in elementary and secondary classrooms. Specific goals focus on enabling students to perceive, describe, and respond to the aesthetic qualities of the natural and man-made environment; to analyze, judge and value works of art; to acquire a knowledge of…

In order to compile information to be used as a basis for developing a curriculum for teaching glass as an art material on the college level, glass experts, artists and centers in 12 nations were visited. It was clear that the US lags far behind other countries in teaching glass, in using it as a subject for art exhibitions and using it creatively…

The seven papers that comprise this book were presented at the 1977 National Art Education Association Conference on Reading, the Arts, and the Creation of Meaning held to bring together people in the arts and the fields of reading, psychology, and philosophy to explore the relationships that exist between these fields of study. Topics discussed…

The Massachusetts Association of Vocational Administrators (MAVA), with the assistance of the State Division of Occupational Education, developed a series of four-day, in service workshops aimed at vocational teachers throughout the State, and the document provides a final report of this project's first year. Part One covers general information…

This guide for an elective quinmester calligraphy course describes it as an exploratory course in the creation of original works using advertising design as the source of the techniques and processes. Intended for grades 7 through 12, the course places particular emphasis on developing the elements of design: line, shape, color, value, and…

An introduction to the Quinmester Visual Arts Education Curriculum, of which this is one course of study, can be found in SO 007 721. Serigraphy, the process of silk screening, involves a variety of techniques for the student to use as a medium of expression. Use of stencil, tusche, film, and the construction of equipment are included in this…

The generalization of "trained" creativity in easel painting to untrained creativity in blockbuilding was examined in two preschool boys. Verbal reinforcement of every different form painted in a picture increased both the number of different forms per picture and new forms (those appearing for the first time in the total output of…

This book covers the aesthetic and production aspects of the 1951 musical film, "An American in Paris," through interviews with many of the production specialists who helped make this motion picture. The film represents the genre of the color Hollywood musical. It was the winner of six Academy Awards, featured a major star and a developing star,…

Prepared by a curriculum writing team of secondary teachers, this draft curriculum guide for grades 7-12 includes 25 levels of achievement in art. Each level has stated behavioral objectives and a list of suggested activities from which it is hoped the teacher will pick the most appropriate ones for his/her classes. Some of the areas of art…

Students in grades 1, 3, 6, and 10 viewed a selection of paintings to determine developmental stages in aesthetic judgment. Age group responses were analyzed for general characteristics and for children's ability to distinguish among standards of personal preference, community values, and technical competence. (SJL)

The specific purpose of this research was to elicit preference judgments by children about slides of paintings representing five categories of subject matter and two broad categories of style from equal numbers of males and females at three different grade levels. The intention was to find some insight in the mediating factors that may influence a…

Discusses a special multicultural program, offered in a twelfth grade visual arts class which allowed Canadian students to learn about the pre-Columbian world of Mexico, and Central and South America . Through the study of pottery, students learned about the pre-Columbian cultures and created their own works which were displayed in a museum. (GEA)

Discusses the three counterforces that work against teaching art in the schools: (1)students' naive concepts; (2) schooling's neglect of intelligent behavior; and (3) counterproductive disciplinary procedures. Presents the concept of "invisible art" used to teach an experimental course in art appreciation. Includes extensive references. (MD)

Developed from research about and teacher experience with children and creativity, the Creative Processes Rating Scale was tested with 100 sixth graders and found to be an effective instrument (which can be used by teachers with no experience in art) for assessing the creative processes of children in the visual arts. (Author/CB)