Notes that copying is a common technique for training perceptual motor skills such as handwriting; describes an experiment in which stimuli to be copied were presented dynamically or statically close to or distant from children seven and 10 years old and discusses the implications of the results for teaching handwriting. (Author)

A total of 336 French children between 4 and 10 years old were asked to draw representations of French negative sentences. It was demonstrated that the interpretation of negative sentences depends on phenomena of surface as well as deep structure. (MS)

Describes the work and preparation--as well as the student response-- that went into the Comic Book Club in an elementary school which resulted in a student developed comic book and comic book fair. (HOD)

Examined U-shaped development of graphic symbolization in children and in nonartist and artist adults. Found that drawing scores of adult artists did not differ from those of youngest children and artist adolescents, with a developmental sequence in acquisition of the ability to construct referential connections underlying visual metaphors.…

Compared 28- to 53-month-olds' writing and drawing. Scores on a writing scale composed of graphic, "writing-like," and symbolic schemes improved with age. Recognition of drawings as drawings preceded recognition of writings as writings. Writing and drawing scores were substantially correlated, even with age partialed out, suggesting that…

Describes an art lesson used with fifth grade students in which they created paintings with a mother child theme. Explains that the students learned about the mother child theme in an art history context. Discusses how the students created their artworks and lists materials and resources for the project. (CMK)

Presents a lesson that uses the fold over technique to teach students about creating seascapes. Explains that students can learn how to include reflections in their artworks. Describes how students created their seascapes and provides ideas on how to use this technique to incorporate art into other subject areas. (CMK)

Describes an art activity in which students draw ribbons (thin watercolor paper that, when torn, will stand up in a curling fashion). Explains in detail the assignment in which students used pencil rendering or charcoal pencil depending on the type of paper used for the assignment. (CMK)

Describes an art activity for first-grade students in which the students draw their own still-life pictures, using teddy bears and balls as the subject matter. Explains that the students must include three objects, a line for the table, and overlap the shapes. (CMK)

Three studies examined theory-of-mind concepts among children ages 6-13 years with deafness or autism, and 4-year-olds with normal development. Findings indicated that while the children with deafness or autism scored significantly lower on standard tests of false belief understanding, they scored higher on even the most challenging drawing-based…

Presents an art lesson used in an advanced high school art class where students used the encaustic painting technique by melting wax and combining various pigments. Explains that the students painted a still-life of flowers in the style of Vincent van Gogh. (CMK)

Presents an art activity where students learn about Cubism and color mixing. Explains that the students create camouflaged animals after learning about the work, "Female Torso" (Pablo Picasso). Includes directions for how to create the pictures and states that the assignment can be used with students of all ages. (CMK)

Presents the results of two studies that focused on children's self-concepts as related to drawing. Explains that the first study addresses the influence of group belonging and individuality, while the second study implemented interventions to change the children's self-concepts. Includes references. (CMK)

Describes an art project for high school students that combines a still-life drawing with 12 colors of tempera paint colors to teach students about the color wheel. Discusses the process of creating the paintings and the assessment of students. Includes a list of the materials needed. (CMK)

Describes the cross-cultural Harvard Project Zero that was designed to identify major issues in Chinese arts education and to clarify differences between the aesthetic and educational systems of the United States and China. Discusses the exchange of education specialists, the interviewing of artists, and the examination of philosophy. (KO)