Examines the need for and the feasibility of a visual arts degree through distance education based on experiences at the University of Southern Queensland (Australia). Highlights include a theoretical background and a survey of art educators that addressed methods of instruction, feedback, face-to-face contact, and assessment. (Contains 20…

Discusses an apparent case of censorship via card catalog indexing in a Florentine research library. The challenge to the authenticity of a fresco by Simone Martini is explained, the ethics of collegiality are considered, and attempts to find redress through various library associations are recounted. (18 references) (LRW)

Offers practical advice for teaching art in early childhood classrooms. Encourages respect for children's individual artistic style. Discusses paints and markers, blocks, fingerpaints, bubbles, collages, and other art materials. Includes recipes for fingerpaint. (GH)

Explores feminist pedagogy's liberating relevance to the theory and practice of contemporary art education, on the premise that feminism can ameliorate the marginal statuses of women, art, and education. Discusses feminism's impact on education, feminist pedagogy as an alternative instructional model with its emphasis in collaboration,…

This panel interview from the Indiana University Summer Arts Institute finds Enid Zimmerman and Gilbert Clark reporting on their recent research about screening and educating artistically talented students. The role of prepared portfolios in student evaluation is discussed and commentary from other members of the panel included. (PB)

This discussion from the Indiana University Summer Arts Institute finds panelists considering screening methods for arts students, including portfolio preparation, site-specific creation of art work, and batteries of tests and tasks. Procedures used at the Israel academy, developmental processes in creative students, and differences in student…

African-American performing and visual-arts scholars comment on the continuing struggle to bring the work of black artists into the full view of the academy's white majority. Some feel the American art culture has been too slow to accept minority expression. Dance programs appear to be increasing in diversity faster than most other arts…

Illustrates how historical art education metaphors objectify and stereotype the environment through landscape art. Proposes a new metaphor of art teaching, ecological pedagogy, as a means of critiquing stereotypes and of promoting compassionate and caring representations of the environment. Offers strategies for implementing an ecological art…

Describes how a middle school English/language arts teacher had students paint in watercolors their responses to the novel the class was reading. Describes how this approach signficantly improved the rate and quality of student participation, and brought out new voices and fresh readings of the text. (SR)

Discusses the use of perspective, or showing things as the human eye sees them, when creating reflections and transparencies in works of art. Provides examples of artwork using transparency, reflection, and refraction by M. C. Escher, Richard Estes, and Janet Fish to give students an opportunity to learn about these three art techniques. (CMK)

Explains an art project in which students create a linear still life drawing on A2-size paper, duplicate the still life drawing from another viewpoint, and then use abstract design, integrating dynamic patterns and vibrant colors, that hide the still life images. (CMK)

Focuses on a second grade art lesson (two 40-minute class periods) in which students use stencils, oil pastels, and watercolors to create an impressionistic landscape. Discusses how to create the stencils, using oaktags, and how to create the picture. (CMK)

Presents an activity combining music and art in which students create a picture expressing a particular style of music. Develops skills in painting and drawing from observation. The paintings include a realistic drawing of one or more instruments and convey the feelings of the instrument's musical style. (CMK)

Discusses an art activity for kindergarten students that reinforces the idea that patterns are made from repeating a line or shape. The lesson uses circular rather than linear patterns and can be completed in a 40-minute class period. (CMK)

Reports on providing visual feedback to art students by sending compressed digital video clips as attachments to e-mail messages. Concludes that, although bandwidth constraints of dial-up links and the time taken for compression limit the amount of video that can be transmitted, the transmission of video by e-mail is technically feasible. (PEN)