Questions the origin of design history and its relationship to art history. Maintains that design historical knowledge is produced, and it must be acknowledged that there are design histories and not one monolithic body of knowledge. (KM)

Maintains that in recent years there has been an increasing interest in the history of art education and art education associations. Describes how the Texas Art Education Association has collected and documented material from its past. Points out that art education students can use this information to place current trends in perspective. (KM)

Describes ways computers are used in the art education program of one elementary school. Illustrates how computers become centers where students learn to use the computer as a tool with which to experiment and make choices. The results of these experiments are then applied to their art work. (KO)

A module is presented to facilitate integrating computers and art into the gifted/talented curriculum. Based on the Enrichment Triad model, specific activities are suggested, such as creating interest development centers, increasing awareness of computer imagery in daily life, exploring art software programs, and performing in-depth investigation…

GATEWAY II is a summer program for fourth and fifth graders in South Carolina which encourages an integrated approach to the visual and performing arts. The program's instructional quality and curriculum creativity level are assessed through observations by a former teacher of gifted children and interviews with student participants. (JDD)

Discusses the future of art education in relation to changing demographics, technologies, values, and art forms. Reiterates two basic theories of art education: a separate subject with a defined place in the curriculum or a decentralized approach in which teacher involvement in the planning process has priority. (GG)

Describes a "Visual Arts Day" held in an elementary school in Kutztown, Pennsylvania. Art students from Kutztown University create an in-school field trip by coming to the school to display, demonstrate, and discuss their art work. Points out the possibilities for positive dialogue concerning the purposes of art. (KO)

Identifies the distinct paradigms concerned with the teaching of craft and the teaching of design, two elements which are interdependent in an art course. Reports teaching experiments that encourage pupils to seek out visual analogies of shapes and shape-relationships. Advocates the incorporation of guided concepts into pupils' techniques. (KO)

Presents the architecture of public buildings through a set of four lessons. (S. Talbot-Stanaway and Elizabeth Hornor). The lessons teach about the Oshkosh Grand Opera House in Oshkosh, Wisconsin; the Clayton County Library in Jonesboro, Georgia; the Pennsylvania Academy of the Fine Arts in Philadelphia, Pennsylvania; and the National Gallery of…

Shows how a teacher used paintings as a basis for writing exercises designed to teach students about the subjectivity of interpretation and the importance of visual imagery. Describes a number of specific writing assignments and classroom activities involving description, interpretation, drawing, poetry, and research papers. (TB)

Examination of traits and life experiences of 21 eminent women in the visual arts found that, as children, artists were creative, versatile, vital, energetic, sensitive, and enjoyed their work. Early achievement predicted later accomplishments and early intensive concentration in one's field, often to the near exclusion of other activities, was…

Describes the nature of intellectual access to digitized art images using qualitative methodologies based on a study at the University of Central Florida. Queries of art historians are analyzed and compared to retrieval parameters and image characteristics, and implications for database design are suggested. (Author/LRW)

Examines procedures derived from ordinary-language philosophy to help students learn to investigate conceptual issues in art. Sets out and analyzes three procedures relative to art education and makes suggestions for further research. Maintains that the principles and proficiencies in philosophical inquiry can be introduced and reinforced in all…

Describes the design, development, and implementation of an educational media technology course at Miami University (Ohio) for preservice teachers. The four modules that comprise the course are described: (1) computer, (2) film/video, (3) information skills, and (4) photography/graphics. Results of course evaluations are also discussed. (13…

Argues that drawing in art is a visual, intellectual, and emotional act. Provides suggestions for helping students understand these three perceptions. Discusses the impact on curriculum design in art education. (CFR)