The Draw-A-Person Test was administered to an adolescent sample of Blacks and Whites. The findings generally supported those of Schofield, and the racial identity and preference literature as a whole, in revealing Blacks to be less accepting of their racial identity than Whites. (Author/GDC)

Reports three experiments which investigate: whether familiar objects have standard graphic orientations (Experiment 1); the relationship between use of object orientations and more conventional methods in depicting familiar objects in motion (Experiment 2); and whether orientations are used differently in novel objects whose only defining feature…

Describes how comic strip development stimulated an elementary bilingual classroom. Shows results of four girls' fotonovela. (HOD)

Frames a developmental psychology of art by contrasting the structural orientation of the study of drawing and the functional orientation of the study of artistry. This model maintains that graphic symbolization emerges with early mark-making, children's representative art is guided by perceptions of affordances, and children continue to engage in…

Describes an art lesson used in an advanced drawing course in which the students created artworks of a portion of a chosen game board, such as "Monopoly," implementing photographic realism. Explains how the students created their pictures and includes the learning objectives for the lesson. (CMK)

Describes an art lesson that was part of the Youth Art Month (YAM) in Georgia with the theme of "YAM: Piecing It Together." Explains that the students created self portraits using black outline pens and markers. Reports that all portraits were attached to ceramic tiles and placed on the "Millennium Wall of Fame." (CMK)

Presents an example of art education as a means of social control. Examines a 1905 incident wherein children at South Park School in Victoria (British Columbia) were found to have ruled lines in their freehand drawing books. The school principal, Agnes Deans Cameron, was dismissed. (PAL)

Describes an art lesson that focuses on the technique "repousse." Explains that the lesson teaches students about art concepts, such as rhythm, repetition, pattern, and design. Discusses in detail how the students use this method and includes materials and learning objectives. (CMK)

Presents an art project used with fifth- and sixth-grade students in which they designed a door using clay. Explains that the students used mood to create a door for a specific person. States that this project teaches students how to express mood through their artwork. (CMK)

Presents an art activity for fourth- and fifth-grade students in which they pretend to be advertising designers and create an advertisement for a real or imaginary product. Explains that the students select the product and also a famous work of art that is related to their product. (CMK)

Describes an art project used with beginning high school art students that teaches them about continuous line drawing. Explains that the students create portraits of themselves, or another student, using glue, black construction paper, and chalk. (CMK)

Presents an activity where students select a social problem or cause and then create a poster to express something about the problem. States that students first learn about the history of posters. Includes learning objectives and an additional activity. (CMK)

Presents a lesson that teaches students about abstract art in a fun way. Explains that students draw cats, learn about the work of Pablo Picasso, and, in the style of Picasso, combine the parts of the cats (tail, legs, head, body) together in unconventional ways. (CMK)

Provides historical background on mosaics. Describes an art activity in which students create their own mosaics. Discusses what the students can use as material to make the project much more cost effective and explains the process of creating the mosaics in detail. (CMK)

Examined drawings and transcripts of accompanying narratives made by 3- to 7-year-old children in a preschool setting. Analyzed the symbolism of the pictures and the children's stories about them that formed a background or explanation of each picture, noting developmental differences between the age groups. (JPB)