Describes an art project in which beginning art students created ceramic vegetables that are supposed to be functional, such as a container. Explains how the teacher can demonstrate the process of creating the ceramic vegetables. Includes a list of materials. (CMK)

Focuses on the exhibit, "The Artful Teapot: Twentieth Century Expressions from the Kamm Collection," that features artwork of teapots from the collection of Gloria and Sonny Kamm. Includes examples of the artwork and an itinerary for the exhibit. (CMK)

Discusses various art movements that include examples of artworks with movement, such as Romantic, Classic, Rococo, and Art Nouveau. Addresses ways in which students can learn to incorporate movement into their own works of art. Includes examples of artists who included movement into their artworks. (CMK)

Focuses on the outcomes of the Research Commission and Task Force Chairs of the National Art Education Association strategic planning meeting. Explains that the Commission and Task Forces developed a six-year, three-phase, research plan focusing on three primary areas: (1) research topics; (2) funding; and (3) dissemination. (CMK)

Provides background information on the life and career of Frederick Carl Frieseke, an artist who painted in the style of impressionism. Explains that this artist is the focus of a retrospective exhibition entitled, "Frederick Carl Frieseke: The Evolution of an American Impressionist" at the Telfair Museum of Art (Savannah, Georgia). (CMK)

Explores the concept that an understanding of positioning within discursive practices can lead to an understanding of the social construction of self and difference. Presents a study that explored responses from two Year 11 (age 16) visual arts classes in two high schools within New South Wales, Australia. Includes references. (CMK)

Addresses the impact that postmodernism has had on the teaching of painting to artists who want to pursue a studio-oriented career in the visual arts. Provides a literature review pertinent to teaching art within higher education and discusses postmodern painting. Highlights the implications for teaching and research. Includes references. (CMK)

Provides background information on the Impressionism movement. Discusses the life of U.S. artist, Frederick Childe Hassam, and describes the content and techniques used for his painting, "Lower Manhattan." Includes suggestions for class activities and a reproduction of his artwork. (CMK)

Describes an art project suitable for middle and high school students in which they either combine identifiable parts from different animals to create one creature or take one animal and creatively distort it. Explains that this lesson enables students to be satisfied with their animal-inspired artwork. (CMK)

Describes the development and current status of the Explorers Club, and the collections and services of the club library. The collections include the arctic library of Admiral Robert Peary, rare books and records, paintings, and memorabilia. The discussion covers research services offered by the library and preservation of the collections. (CLB)

Offers 17 exercises combining writing and painting, each with its own theme and goal, and all designed to show that close observation is fundamental to the effectiveness of both visual and verbal expression. (SR)

Describes the way in which the technology of the video camcorder is used to provide art lesson objectives and background to elementary students prior to their art class. Contends that the process stimulates students, provides teachers time to plan, fosters communication between teachers, and enhances appreciation of the relationship of art to…

Describes an art class flower painting project influenced by the book, "Georgia OKeefe: One Hundred Flowers." Students studied OKeefe's use of scale, color, composition, depth, and materials, to create their own flower paintings. (KM)

Describes Vermont's Art Exchange Program and its goal of sensitizing Soviet and U.S. children to the common humanity they share. Discusses this program's attempts to break down barriers of fear and stereotyping by promoting the exchange of art and writing between children. (KO)

Traces the development of Australian art education through three main phases: (1) the hand-eye training period; (2) the creativity period; and (3) the studio discipline period. Identifies overseas influences for these developments. Suggests that at present a variety of factors have precipitated favorable circumstances for growth of visual arts…