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Pustel, Gabriel; And Others – Journal of Genetic Psychology, 1972
An image of the retarded emerged from the drawings, which, generally, were convergent on the adult level but divergent for the adolescents. (Authors)
Descriptors: Age Differences, Freehand Drawing, Institutionalized Persons, Intelligence

Struempfer, D. J. W. – Perceptual and Motor Skills, 1971
Descriptors: Child Development, Cognitive Processes, Comparative Analysis, Evaluation
Craddick, Ray A.; Miller, John R. – Percept Mot Skills, 1970
Descriptors: College Students, Freehand Drawing, Identification (Psychology), Individual Differences

Foster, Michael – School Arts, 1974
Article discussed children's use of buttons as a device for stimulating imaginative thinking in picture making activities. (Author/RK)
Descriptors: Art Activities, Art Education, Art Materials, Art Products

Barrett, Martyn D. – Early Child Development and Care, 1983
Reviews the Piagetian description of the stages of development of children's drawings, points out the influence of task demands on drawing performance, and asserts need for a new theory. An alternative framework is discussed and recent research illustrating the alternate theory and methodology is reviewed. (Author/RH)
Descriptors: Developmental Stages, Early Childhood Education, Experiments, Freehand Drawing

Hargreaves, David J.; And Others – Journal of Experimental Child Psychology, 1981
These studies confirm the view that the "air gap" phenomenon, which refers to the area that remains when ground and sky lines are constructed at the bottom and top of a drawing, is commonly found in the free drawings of middle and later childhood, but that it is readily abandoned when task demands are modified accordingly. (Author/DB)
Descriptors: Childrens Art, Cues, Early Childhood Education, Foreign Countries

Kane, Frances – Childhood Education, 1982
Indicates relationships between children's graphic expressions and thinking, writing, and reading. It is concluded that, if children are motivated to verbalize about personal experiences they have expressed graphically, they probably will be additionally motivated to read what they have written. (Author/RH)
Descriptors: Child Language, Communication Skills, Developmental Stages, Freehand Drawing

Cunningham, Pat – Reading Teacher, 1982
Reviews several "how to draw" books and notes how they can be used to develop specific reading skills. (FL)
Descriptors: Critical Reading, Elementary Education, Freehand Drawing, Learning Activities

Alexander, Kay – School Arts, 1979
Described is a program developed by parents and school personnel which provides art education to students in the Palo Alto (California) district in an after school setting. There is a fee; the teachers are professional artists. (KC)
Descriptors: After School Programs, Art Education, Artists, Elementary Secondary Education

Unterberg, Adele Phyllis – School Arts, 1979
Described is a school-museum program which linked art and science through the study of small mammals and birds in relation to color, form, and communication. Art, audiovisual aids, research, readings, language, and communication were combined in this interdisciplinary program. (KC)
Descriptors: Art, Art Education, Freehand Drawing, Interdisciplinary Approach

Wilson, Brent; Wilson, Marjorie – School Arts, 1979
Drawing on the Kreilters' work with the psychology of adult artists, the authors show how children's story drawings develop the same four types of realities: origins, everyday experiences, normative realities (rules), and prophetic (anticipatory) realities. Illustrations are included. (SJL)
Descriptors: Art Expression, Child Psychology, Childrens Art, Conceptual Schemes

Ashwin, Clive – British Journal of Educational Studies, 1981
The author credits Pestalozzi with influencing most nineteenth century Continental theorists on the teaching of drawing through his theories, published circa 1800, on drawing as an essential and integral part of each child's education. He analyzes Pestalozzi's approach in the context of his life, times, and general theory of education. (Author/SJL)
Descriptors: Art Activities, Childrens Art, Educational History, Educational Philosophy

Light, P. H.; MacIntosh, E. – Journal of Experimental Child Psychology, 1980
Young children drew two opaque objects placed one behind the other. Over two-thirds of the children drew the objects separately in horizontal or vertical relationships. When drawing an object in a glass beaker, half of the children depicted the object vertically or horizontally separate from the beaker. (Author/DB)
Descriptors: Childrens Art, Cognitive Development, Cues, Depth Perception

Colbert, Cynthia – Studies in Art Education, 1980
This study examined the relationship between the visual elaboration characteristic of paired-associate learning and figural elaboration as found in the graphic representations of preadolescents (ages 8-12) and as measured by nonverbal creativity measures. Significant correlations between figural variables and one or both visual variables were…
Descriptors: Childrens Art, Correlation, Creative Thinking, Elementary Education
Johnson, Carole Austen; Anderson, Lorraine – Teacher, 1979
Described is a method of tapping students' creative potential in art: the Spontaneous Response Drawing. SRD consists of drawing with a single line, usually with crayons or colored felt tip pens on a large sheet of paper. (KC)
Descriptors: Art Activities, Childrens Art, Creative Activities, Creative Art