Provides an annotated bibliography for art education. Includes the following areas of interest: educational evaluation, tests and measurements, philosophical and aesthetic issues in art evaluation, and testing and evaluation in the visual arts. (GG)

Examines two designing traditions and their influence on architectural design education. Points out that the emphasis upon either idea or technique is often uneven in proportion even though design is, in fact, an interaction of the two. Suggests that success of a course depends upon its methodological focus as well as its content. (KO)

Presents two printmaking lessons for children inspired by master art teacher, Frank Wachowiak. "Repeated Motifs and Designs" uses vegetables and found objects to make prints emphasizing repeat patterns. "Fish Under the Sea" uses white liquid glue to make line prints with strong linear compositions. (LS)

Describes a lesson that shows high school students a work of art derived from literature, acquainting them with methods an artist can use to present a story in visual form. Students discuss how Anthony van Dyck controlled and manipulated light, color, gesture, and composition in his painting to depict a moment from literature. (LS)

Examines the theory that the Norman commissioned Bayeux Tapestry carries a hidden message which tells the Anglo-Saxon version of the Norman Conquest. Stresses that studies of this nature demand an interdisciplinary approach. Notes that historical and artistic influences must be considered in determining the artist's intent. (KO)

Describes the program, Learning by Design, that has been developed by the American Institute of Architects (AIA) as a means of promoting support for good design. Discusses the evolution of this program as well as its purpose, organization, curriculum, instructional process, means of evaluation, and base of support. Lists sources for materials. (KO)

Offers a lesson plan for acquainting students in grades 10-12 with the dimensions of style and technique of still life painting in the United States during the late nineteenth century. Uses William Michael Harnett's "Plucked Clean" to convey concepts of composition. Suggests instructional strategies and outlines a studio activity. (KO)

Three experiments involving 350 college students were conducted, attempting to validate the phonetic (digit-consonant) mnemonic system as a useful strategy and to apply it to learning artwork. Results supported the use of the system, especially in the combined form for "who" and "when" used in Experiment 3. (SLD)

Presents 2 articles concentrating on middle-school teaching: 1 that describes how a teacher, using 12 zip-lock sandwich bags and 300 small ceramic tiles, may create "grammar tiles," a method for teaching the parts of speech; and another that describes several innovative ways in which students have learned to work with language while manipulating…

Discusses the reform context, the importance of standards, the importance of arts education, the benefits of arts education, and the arts and other core subjects. (RS)

Case studies of three elementary schools provided data on visual art as it is conceived of and practiced by classroom teachers. Suggests that there are disparities between teachers' advocacy of art and their classroom practice, and between teachers' views of art and the broader values of their schools. (HTH)

Presents a class activity which uses laminated pictures from art calendars, museums, and other sources as a stimulus for writing. (SR)

Examines some nonbook materials with respect to an aboutness model of indexing, showing that there are instances that defy subject indexing. These occur not so much because of the nature of the medium but because it is being used for nondocumentary purposes or because the subject referenced is nonlexical. (Contains 20 references.) (KRN)

Compares Oskar Kokoschka's teaching practices with American Progressive Education literature. Observes that the latter stresses the need for practicing artists to teach in the schools. Evaluates the strengths and weaknesses of the artist-in-the-classroom concept revealed in light of Kokoschka's practices. (KM)

Asserts that students gain a deeper appreciation and understanding of what they have read when they have systematic opportunities to integrate reading with drama, oral language, and art. Discusses how to use drama, Reader's Theater, oral interactions, and the visual arts to improve reading comprehension. (PRA)