The call for more empirical research in art education during the 1950s seems to be a precursor of the contemporary move toward more systematic instruction in the visual arts. If making art employs nonverbal aesthetic concepts, then conceptual consistency and problem solving within studio instruction can facilitate students' acquisition, retention,…

Findings of research seeking predictors of mature creative achievement in the early artistic development of the Swiss painter, Paul Klee; the French painter, Henri Toulouse-Lautrec; and the Spanish painter and sculptor, Pablo Picasso are presented. Discussion is organized into four sections. The first section offers an overview, rationale, and…

More than 17,000 respondents from a representative sample of the population were interviewed by the Bureau of the Census during 1982 about their participation in arts activities. Separate national samples were collected during each month of the year. Ten major areas were addressed: (1) the size of the audience for the arts; (2) the relationship…

The guidelines present a multi-step procedure for identifying artistically gifted and talented students in elementary and secondary schools throughout South Carolina. An initial section reviews three stages in the identification process: initial screening (through such avenues as faculty/administrator nomination, self nomination, and parent…

Film making as a means of exposing public school students to the power of visual language. (Author)

This paper attempts to analyse some of the relationships between perception, drawing and reality as one of the necessary preliminaries to new formulations of the art curriculum. (Author)

Four packets comprise the art component of an enrichment program for gifted elementary students. The introduction packet reviews identification of children gifted in art through pre and post measures. A drawing packet reviews techniques for such activities as human figure drawing, shading, crayon rubbinqs, experimenting with perspective, and…

A 3-part article, including (1) "Social Education Visits a Museum, (2) African Art and Social Values / Edward Cutler, and (3) Artist Ben Shahn on Human Rights.

In beginning and intermediate foreign language instruction, art has been neglected both as an instructional aid and as enrichment. Squeezed out by popular culture, the contemporary scene, and a perception of elitism, the visual arts nevertheless offer a rich resource in acquainting students with both the depth and the breadth of another culture.…

The goals of the visual arts program of the Attleboro (MA) public schools, its relationship with the rest of the curriculum, and a study of the effectiveness of the program in seventh grade are described. It is suggested that the visual conceptual skills that are developed through the visual arts program are essential to cognitive processes and…

USING ART AS A MEANS OF COMMUNICATION AND EXPRESSION, THE DEAF OR APHASIC CHILD CAN REMEMBER, IMAGINE, ASSOCIATE, GENERALIZE, AND EVALUATE WITHOUT LANGUAGE. PAINTING CAN ENABLE HIM TO DISCOVER AND TEST HIS POWERS, AND THUS MEET HIS EMOTIONAL NEEDS AS WELL AS PROVIDE AN OPPORTUNITY FOR HIS AESTHETIC GROWTH. THE CHILD MAY SHOW UNEXPECTED TALENT AND…

This report surveys projects involving the arts funded under the ESEA Title III Projects to Advance Creativity in Education (PACE) program between January 1966 and July 1967. Over 20 percent of the projects funded during this period, 226 of over 1300, included at least one of the arts as a component. The survey covers planning projects,…

The first half of this document examines the relationships between painting, poetry, and science, describing in particular their increasing focus on letters and typography. The poets and painters of mid-nineteenth century France, the Futurist school, and the Lettrist movement are discussed. Their common assumption, fundamental to modern…

Developed with the intention of helping children learn about themselves, this booklet presents the objectives, activities, and children's films used by five public school participants in one component of the Special Arts Project. Each film was chosen both to dramatize realistically the source and effect of one specific feeling (positive or…