Presents a discussion of visual poetry in Portugal and 18 examples of visual poetry. Includes 24 selected resources and brief biographies of five Portuguese visual poets. (RS)

Presents a discussion of visual poetry in Uruguay and eight examples of visual poetry. Includes 27 selected resources and brief biographies of 9 Uruguayan visual poets. (RS)

Presents a discussion of visual poetry in the United States and 10 examples of visual poetry. Includes 10 selected resources. (RS)

Discusses computer-generated design, considers the theory of dynamic symmetry, and addresses the question of abstraction and simulation. Computer-generated abstraction is compared with traditional abstract paintings on canvas, and the use of video discs to create new images and expand the visual language of the artist designer is described. (three…

Describes a teacher's modern literature class, where she encourages her students to write freely and to create cubist or abstract works of art. Describes the students' progress and asserts that their attempts to search for insight without having definite, preset answers is enough to help them appreciate modern literature. (PRA)

Anishinabe (Chippewa) artist George Morrison was trained in European art styles and has been influenced by abstract expressionism, surrealism, primitivism, and indigenous art forms. He discusses the recurring horizon line in his works and the relationships between Native and Western artistic styles. (SV)

Identifies two major groups of pseudoinscriptions: distinguished inscriptions which do not convey text but appear to be real things; and proper pseudoinscriptions which may have clearly delineated individual letters that taken together make no sense. Identifies Venice and the Netherlands as centers of Arabic and Hebrew pseudoinscriptions in the…

Attempts a semiotic experiment to explore the fluctuations of meaning produced by interferences between textual and figurative representation within one picture. Discusses examples such as the portrait with its presentation of the subject and the topographical city plan. Provides an in-depth exploration of Philippe de Champaigne's "Ex-voto of…

Argues that William Blake's illustrations for Thomas Gray's "Ode on the Death of a Favourite Cat" testify to the contradictions in Gray's poetry. States that Blake's designs offer another language, a contra-diction, that deconstructs Gray's conscious discourse and liberates his unconscious discourse. (RS)

Offers Alain Robbe-Grillet's novel "La Belle Captive" (which employs 77 paintings by the Belgian surrealist Rene Magritte) as playful interchange between word and image. Argues that the novel may be understood to demonstrate a fundamental relationship of inequality between word and image. (RS)

Provides an overview of six articles that address relationships between electronic imaging technology and information science. Articles discuss the areas of technology; applications in the fields of visual arts, medicine, and textile history; conceptual foundations; and future visions, including work in virtual reality and cyberspace. (LRW)

Identifies and analyzes the elements of the informational book "Linnea in Monet's Garden" that have made it so successful. Notes (1) its use of the device of a fictional journey; (2) a character so real and engaging; and (3) the information presented which parallels the actual growth of Linnea's interest in Monet. (RS)

Relates a conversation with Paul O. Zelinsky, winner of the 1998 Caldecott Medal for his elegant Italianate "Rapunzel" in Renaissance style. Describes the challenges and pleasure of using a historical setting to tell a good story and delight the viewers' eyes. (SR)

Provides a crossword puzzle with an answer key corresponding to the book entitled "Significant Treasures/Tresors Parlants" that is filled with color and black-and-white prints of paintings and artifacts from 131 museums and art galleries as a sampling of the 2,200 such Canadian institutions. (CMK)

Responds to James Catterall's article "Does Experience in the Arts Boost Academic Achievement: A Response to Eisner." Contends that Catterall does not support his claims concerning the relationship of the arts to academic achievement; instead, Eisner maintains that Catterall is actually examining the contributions of the arts to cognitive…