This work engages with Karen Barad's philosophy and theory of agential realism through research practices of critical autoethnography and arts-based methods. The work explores how knowledge, memory, language, and experience remain alive within practitioners and inform who we become and how we inherit the stories involved in being educators and therapists. This paper presents two entangled research processes involving engagement with material artefacts related to the author's professional identity development and practice as an arts therapist in Aotearoa, New Zealand. Through Barad's theory of diffraction, engagement with and reassembling research artefacts supports a consideration of what can happen when we map and remember stories from different times and spaces in our lives. Elucidating and exploring the contours of memories and experiences can be helpful practices to engage in as narrative is the most potent mechanism for memory and teaching, and as therapists and educators, we are living through and practicing from the tangle of these narratives.