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ERIC Number: EJ1327225
Record Type: Journal
Publication Date: 2021
Pages: 17
Abstractor: As Provided
ISBN: N/A
ISSN: ISSN-1534-9322
EISSN: N/A
Available Date: N/A
The Tone Police's Greatest Hits
Tarr, Kathleen
Composition Studies, v49 n2 p79-95 2021
Ibram X. Kendi has said, "Indeed, the heartbeat of being antiracist is confession. The heartbeat of being racist is denial." What solidarity gestures and diversity may deny, equity confesses. This creative approach to nonfiction account of misgynoiracist experiences within RhetComp calls for truth and reconciliation as necessary conditions if there is to be any possibility of equity within the academy. This piece journeys--through a humorous, absurdist--through a humorous, absurdist approach--Black women's experiences in the discipline from receiving essay feedback during a student's undergraduate years as a rhetoric major to quasi-HR's denial of permission to an instructor seeking to use the word "profiled" to describe a problematic workplace interaction. The pretext of civility and professionalism that serves to surveil and discipline BIPOC scholars in the academy generally is just as common in the field of RhetComp. This text explores inequitable dynamics within the context of individual and institutional branding that seem to prioritize merely the optics of diversity.
Composition Studies. Available from: English Department, UMass Boston. 100 William T. Morrissey Blvd, Boston, MA 02125; e-mail: compstudiesjournal@gmail.com; Web site: https://compstudiesjournal.com/
Publication Type: Journal Articles; Reports - Descriptive
Education Level: Higher Education; Postsecondary Education
Audience: N/A
Language: English
Sponsor: N/A
Authoring Institution: N/A
Grant or Contract Numbers: N/A
Author Affiliations: N/A