The relevance of the work is justified by the situation when the art of plastics, choreography becomes the mean of expressing the author's intention. Art of plastic can afford author to express emotions and appeal to the spectator's emotions through choreography. The purpose of this article is to show abilities of researching the plastic art, as method of demonstration emotions and feelings in a context of dramatic art. At the time of writing this article, the author used such methods as axiological, historical and artistic methods that offer to study and research the plastic art in context of modern drama theatre. To solve the problems discussed in the article, the author also used a comparative and problem-logical methods. While researching this topic was discovered and defined the term plastic art. We described the stages and process of its creation and implementation in theatrical art. It was noted that today in modern ballet art a striking example of a combination of musical plasticity and plasticity of movement is chamber ballet. The practical implementation of the study is possible primarily in the formation of performance programs and staging of choreographic compositions.