In this paper the idea of social entitlement to conceptual knowledge is considered in relation to students' views of music at secondary school in New Zealand. The data was collected as a means of triangulating the key focus of a study concerning the beliefs and actions of teachers in relation to curriculum. In interpreting the student data I utilise thematic categories developed in the study but also Bernstein's concepts of pedagogic rights and identities to consider whether students' experience of the curriculum empowered them to look beyond what they already know to consider alternatives. Most students were able to recognise themselves and their aspirations within their school music departments while also recognising the potential importance of the theoretical knowledge of the discipline. The interplay between enabling pedagogy and curriculum content appears to be pivotal in developing these rights for students.