The Visual Communication Division of the proceedings contains the following 7 papers: "Photography Editors as Gatekeepers: Choosing Between Publishing or Self-Censoring Disturbing Images of 9-11" (Renee Martin Kratzer and Brian Kratzer); "Jane Campion's 'The Piano': The Female Gaze, the Speculum and the Chora within the H(y)st(e)rical Film" (Jaime Bihlmeyer); "Newspaper Photo Editors' Perceptions of Women Photojournalists" (Ken Heinen and Mark Popovich); "Sex Appeals That Appeal: The Moderating Role of Women's Sexual Self-Schema in the Accessibility of Sexual Constructs in Memory" (John Davies, He Zhu and Brian Brantley); "Perceptions, Exceptions, and Stereotypes: Visual Representation and the 'Monster's Ball'" (Yolanda R. Cal); "Visual Components of Source Credibility for Non-Profit Organizations on the World Wide Web" (Linda Jean Kensicki); and "Evaluating Animated Infographics. A Step Towards Multimedia Research: An Experimental Approach" (Klaus Forster, Sabine Stiemerling and Thomas Knieper). (RS)