This guide to multi-image program production for practitioners describes the process from the beginning stages through final presentation, examines historical perspectives, theory, and research in multi-image, and provides examples of successful utilization. Ten chapters focus on the following topics: (1) definition of multi-image field and state-of-the-art; (2) history of multiple image in visual arts and research trends; (3) strengths of medium, audiences, and applications in education, business, and industry; (4) organization techniques simultaneous operation of audio and visual components, and physical arrangement of site and equipment; (5) planning and writing the program, with emphasis on design objectives, scripting, and assemblage of audio and visual portions of a storyboard; (6) organization of visual formats, production, composition of visual images, and specific production techniques; (7) physical characteristics, production and recording techniques of audio components; (8) programming of the presentation and background on types of programmers; (9) planning of environment and organization of materials; and (10) methods for critical evaluation of a presentation and explanation of the impact of functional/experimental criticism. Included are appendices of source lists for manufacturers of program control devices, audio recording and playback equipment, related equipment, and multi-image information sources. (CWM)