Asserts that the copying of artworks does not stunt a child's creative development; rather it can serve children, as it did many great artists, as a useful tool for the development of the technical and aesthetic skills necessary for creative expression. (SJL)

Outdoor education facilitates the use of both cerebral hemispheres. The right side, which is often ignored in traditional education, is the location of intuitive, imaginative, and metaphoric thinking and can be used in conjunction with the left side, the base of logical and analytic thought. (CJ)

Two experiments examined the kinds of questions asked by male and female undergraduates identified as relatively creative and relatively noncreative. (CM)

Examines the similarities and differences between the artistry of children and adult masters. Suggests that while artists have more highly developed skills, far more control of their gifts, and superior ability to experiment systematically and to choose among alternatives, much in their processes of creation is reminiscent of children. (JMF)

Focuses on rewards in scientific research. Discusses the social structure of science and its ability to inhibit creativity as ilustrated in the work, "The Act of Creation: Creative Processes in Science." This is related to accounts of the discovery of the chemical structure of DNA. (SA)

Creative dance is presented as a valuable tool for helping blind children develop positive self-concept, movement skills, concepts of the world around them, and creative ability. (Author/PHR)

Creative thinking and problem solving processes were studied in 233 gifted elementary students. (Author/DLS)

Presents an interview with Leon Botstein, the president of Bard College and music director and conductor of the American Symphony Orchestra. His history as an exceptional child, the development of his drive to succeed in a musical career and in academia, and his love for music are discussed. (CR)

This article criticizes classroom traditions and environmental factors that serve to limit and impair students' creativity. Steps required for a more creative classroom are discussed, including adequate "think time," conducive supplies and surroundings, a risk-free environment, empowerment to think independently, and teachers who model creative…

Discusses using advanced electronic and communication technology to improve organizational innovation. Group creativity techniques, such as electronic brainstorming, PMI (a brainstorming approach involving plus, minus, and interesting points), synectics, and their verbal counterparts are compared. Electronic PMI and synectics are found to be…

The use of sign language is suggested as a way to stimulate and educate the right brain, thereby cultivating student creativity. Sign language's benefits are that it forces the hearing person to think differently, can add clarity to oral communication, and could be applied to help children with learning disabilities. (JDD)

Eleven professionals participated in a weekend workshop called "Planned Spontaneity." Using techniques of group mental imagery, the group focused on ways of empowering individuals in educational settings to increase their use of creative mental capacities. The group agenda, activities, process, and resulting product are described. (JW)

Examines a variety of personal qualities usually found in creative people. Discusses many theories of creativity representing a variety of intellectual traditions, most of which predict aging decrements of some sort. Suggests that the creativity decline may vary, or that creativity may change rather than decline with age, with differing stylistic…

There is a vast difference between factual information and a sense of understanding that comes from the organization of knowledge in a way in which it can be used in decision processes. Recognition of interdependencies and interrelatedness leads to understanding and utilization. (JD)

This article discusses characteristics of creative people (problem sensitivity, idea fluency, originality, and flexibility); the importance of managers appreciating the work styles of creative people; and seven characteristics of an organizational climate that encourages creativity. (DB)