Percussion programming can be integrated into a camping experience that actively involves campers in clapping, singing, and dancing. Provides suggestions for making percussion instruments out of natural materials, and offers ideas for using percussion in storytelling, listening activities, and camper wake-up calls. (LP)

Discusses a survey of the music education interests of adults who attended musical events in Austin, Texas. Reports that the piano was the instrument most frequently chosen for private study, choral groups were the preferred performance organizations, and music history and aural analysis were favorite academic study areas. Examines influences upon…

Presents hands-on science activities that help students learn the concepts of hearing and sound while allowing students to practice science process skills. Students investigate the use of alternative phonograph speakers and needles and apply the knowledge learned to the construction of one-string banjos. (MDH)

Presents a lesson plan for keyboard instruction excerpted from "Strategies for Teaching Middle-Level and High School Keyboard" (compiled by Martha Hilley and Tommie Pardue. Reston, VA: Music Educators National Conference, 1996). Provides objectives, materials, required background knowledge, procedures, evaluation indicators, and…

Attempts to determine the relative difficulty of playing selected types of melodic pattern by ear; studies the effects of performance experience and instrument family on the ability to play by ear; and investigates the relationship between tonal aptitude and ability to play by ear. Presents results and questions for further research. (DSK)

Investigates effects of variations in tone quality on listeners' perception of both tone quality and intonation. Indicates that more inexperienced instrumentalists rated stimuli that were "brighter" in quality as sharper in intonation, and those that were "darker" as flatter. Also, finds differences for brass versus woodwind instruments. (DSK)

Compares the experience of playing an acoustic instrument to an electronic instrument by analyzing the constant structures and relationships between the experiences. Concludes that students' understanding of the physical experience of making music increases when experiences with acoustic instruments precede their exposure to electronic…

Investigates the effects of timbre, as a cue, on gender-instrument associations by third-grade students. Indicates that gender-timbre associations were strong for this age group: males were associated with brass instruments and cello; females were associated with flute and violin. Discusses implications of gender-instrument associations for music…

Illinois State University (ISU), located in central Illinois, serves a large population of rural, suburban, and urban students. students are predominantly white. The music education curriculum requires multicultural music study, and students have opportunities for authentic experiences. During the semester before this course, students in…

The "Mozart effect" refers to an increase in spatial reasoning performance following exposure to music composed by Mozart. Empirical tests of the effect have resulted in an inconsistent pattern of findings with some studies producing the effect and others failing to do so. The majority of the investigations have relied on paper-and-pencil tests.…

This article reports on a three-year longitudinal study with 157 children in school grades 3 and 4 (aged between 7 and 9 years), who commenced learning an instrument in one of eight school music programmes. The children were administered tests at the end of each school year to assess their abilities to perform rehearsed music, sight-read, play…

Voice is the carrier of speech but is also an ''auditory face'' rich in information on the speaker's identity and affective state. Three experiments explored the possibility of a ''voice inversion effect,'' by analogy to the classical ''face inversion effect,'' which could support the hypothesis of a voice-specific module. Experiment 1 consisted…

The author shares her experience when she accepted an invitation from Jianhua Lu, a music teacher and a visiting scholar at the University of Minnesota, to spend two weeks teaching teachers in China. While there, she gave presentations at the Central Conservatory of Music in Beijing and at the Northwest Normal University in Lanzhou and Tianshui…

This article describes the method and adaptations used by the author in including students with special needs in an instrumental music program. To ensure success in the program, the author shares the method he uses to include exceptional students and enumerates some possible adaptations. There are certainly other methods and modifications that…

Karratha is a town in Australia's remote north-west, 1600 km north of a capital city, Perth. It was a long way from "musical civilization" and a totally different teaching situation for a music teacher used to English classrooms. The first challenge was the dominance of sport at the school, but Peter Younghusband tells how he worked to…