Discusses four philosophies of education (existentialism, realism, experimentalism, and idealism) and their implications for the reading curriculum. (SR)

Describes the basic components of a multimedia design curriculum, including conceptual coursework, technology-related coursework, final project options, and practical experience. (14 references) (MES)

Responds to a previous article that discusses the application of instructional technology to second language instruction. The suggestion is made that there is a genuine need for language educators to become informed about and instructed in the use of the available foreign language instructional hardware and software. (JL)

Discusses the definition and relevance of the concept of equity education. Argues that three disparities exist in society that affect attempts to provide equity. Suggests strategies for fostering equity education. (HB)

Describes technology-education curriculum models in a number of countries. Suggests that tensions between instrumentalist and humanist models may be dissolving, practical learning has a problematic nature, and implementing new pedagogy is a problem when teachers are not prepared. (SK)

One emphasis of the National Council of Teachers of Mathematics' (NCTM) core mathematics curriculum for all high school students is mathematical connections. Presents working definitions for "curriculum,""interdisciplinary," and "integrated," and a model of curriculum design based on the work of Harold Alberty. This…

Advocates students being allowed to regain control of what and how they learn. Proposes use of a new teaching tool in the curriculum design process: the "learning profile," a list of a young students' learning needs, interests, and inclinations. Describes types and formats of learning profiles; their justification; prerequisites for creating…

A framework for further education in Australia includes eight lifelong-learning goals and four key principles: multiplicity, connectedness, critical intelligence, and transformation. The curriculum-design model outlines educational, learning, recognition, and pathway outcomes. (SK)

Argues that while competence in interpretive analysis is a commonly acknowledged goal of a college education, it is rarely explicitly addressed in the curriculum. Notes that because interpretive analysis makes specific cognitive and generic demands on writers, expository writing students would benefit from both theoretical and practical training…

Examines the hierarchy of academic self-concept in four studies. Tests the hypotheses that strong hierarchical relations exist in the academic self-concept structure at a domain-specific level, and that a hierarchy exists in an educational setting with a strong focus on the curriculum. Results reveal support for the multidimensionality of academic…

Discusses drama in English in light of what actually happens in the classroom. Claims drama is valuable when discussed as a separate, autonomous subject in the school curriculum as opposed to one subsumed within English. Emphasizes the primacy of performance in drama education. (NH)

Considers how in many school districts and states, English teachers are being influenced to more directly address the teaching of workplace literacy within the English curriculum. Suggests some functional ways that educators might weave workplace literacy into the existing fabric of the classroom without displacing the important things currently…

Discusses how Francine Prose accuses English teachers of assigning simplistic, badly written books that breed incompetent writers and readers who loathe literature. Notes that Prose focuses her contempt upon "To Kill a Mockingbird" and Maya Angelou's "I Know Why the Caged Bird Sings." Suggests that students show teachers how to help them love…

As the volume of L&L closes, I usually take some time to reflect on what we have done over the year as a magazine and what has happened in the field. We currently have infrastructure and technology for integrated systems that combine data, curriculum, resources, tools, assessments, delivery, and reporting, all at the fingertips of educators.…

Though art educators in museums and in schools share content fields and professional backgrounds, they operate under quite different practical constraints. The autonomy of museum education, shaped by museums' missions more than by state guidelines, is part of its appeal as a profession; museum programs, in shaping their very malleable subject…