An attempt was made to enhance large muscle control and balance in congenitally blind children (ages 5-to-10 years) by exposing them to a program of creative dance movement. (Author/PHR)

Describes a New Zealand workshop for 10 gifted children (ages 10-11) that used computers to foster innovative ideas and provide opportunities for creativity and problem solving through independent and group learning experiences. The children brainstormed about the future and designed an original "MicroWorld" using the theme…

Five problem-based learning activities tested by fourth-grade gifted students are suggested. Each open-ended problem is intended to be worked on by a small group for 30 minutes. Student reactions are quoted and analyzed, noting that students became more willing to take risks, test the properties and limits of their materials, and learn from their…

Explores the role that creative autobiography, as a critical pedagogical strategy, can play in the construction of diverse perspectives in multicultural teacher education settings through the experiences of 28 students. Creative autobiography means an artistic or creative presentation of one's life story. (SLD)

Asserts that it is through play with materials and relationships, invention of classification systems, and solving problems in dialogue with others that young children develop the basic skills they will need to become effective contributors to the health of a changing world. Offers suggestions for teaching children play skills by providing…

Presents a junior high school student art project where three-dimensional art sculptures of surfing, snow boarding, or dirt biking were created. Discusses how the students created their three-dimensional works of art using a clay-slab technique. (CMK)

An English-as-second-language teacher feels that everyone has creativity and imagination, and the teacher's role is to nurture those qualities. Drawing on the Foxfire core practices, she acknowledges and reinforces those moments when learners reveal their own unique insights into learning, and she facilitates exploratory and innovative thinking…

Describes the objectives and scope of a larger research project on women's experiences in art and art education, in relation to creativity and society. Reviews research on women artists' experiences in the past and compares with data collected in contemporary women artists and students. Proposes to investigate these similarities further. (KM)

An "Introduction to Bionics" course is described, focusing on objectives, the case study method used in the course, a sample case involving the design of a self-locking spine positioner for a catfish, course coverage, idea-generating techniques, and course benefits. (JDD)

Presents a former family day care provider's reflections on preschool teaching priorities. Priorities include teaching flexibility and creativity, acceptance of one's own and others' vulnerability, valuing of each other's individuality, and development of empathy. (BB)

Creative writers (n=20) were interviewed to explore relationships between creativity and the creator's life as a parent and/or spouse. The experience of confronting family-related gender expectations influenced many writers. Writers reported benefits from the family's social support alongside restrictions on the solitude and time necessary for…

After a discussion of the creativity often found in those outside the mainstream, this article describes the five stages of the Laureate learning cycle model of talent development: romance, inquiry, involvement, expansion, and insight. The importance of individual ownership of the learning process is emphasized. (DB)

Presents 12 ideals that libraries strive for, including informing citizens; breaking down boundaries, including literacy programs; promoting equity in resource availability; valuing the individual; nourishing creativity; helping children; providing business information; building communities; supporting families; fighting censorship challenges;…

Quality evaluation refers to computer operations for categorizing the relative quality of creative work. It can be used in college instruction to involve students and instructors in contrastive perception and distributed judgment of student work, assigning a quantitative measure to group conclusions about the relative quality of a member's work.…

Suggests that asking children to color within the lines does not stifle their creativity but is similar to expecting children to stand in line for the bus or write neatly. Proposes that expecting students to color within the lines is establishing a basis of knowledge and control from which they can eventually explore more creative avenues of…