Learning music composition through use of innovative music symbols can be effective in stimulating student motivation and in developing learning comprehension. (RK)

One method of teaching music to children is discussed. (CK)

Unlike popular music of an earlier day, rock music stems from, and expresses, the pain and aspirations of a new youth culture. (Author)

Discusses how microcomputers can aid in higher-level creative processes, enabling students to experience the joy/fulfillment of spontaneous creative expression. "The Magic Melody Box" (Atari) program, in which users choose a rhythm and draw a melody line, is used as an example to illustrate the computer's potential in this area. (JN)

Four commercially available music programs are reviewed: "Music Games,""MusicMaster I,""Notes and Keys, " and "Music Tutor." These and other programs enable secondary/college students and adults to study music theory and acquire music training without the aid of an instructor. (JN)

Recent developments affecting educational institutions provide guidelines: first, for the videotaping and use of television programs by nonprofit educational institutions and, second, for the copying of music. (Author/MLF)

Describes the software modules produced by Texas Instruments for use with the TI-99/4A home computer. Among the modules described are: Personal Real Estate, Programing Aids, Home Financial Decisions, Music Maker, Weight Control and Nutrition, Early Learning Fun, and Tax/Investment Record Keeping. (JL)

Presents activities for discovering and exploring sound in the environment and for creating a "musical" composition from everyday sounds. (SJL)

The author discusses the importance of the study of the contour of form and of a review of how music elements affect contour when studying jazz composition. When this has been mastered, students can begin the study of style. (Author/KC)

Eleanor Smith (1858-1942), an outstanding composer of children's songs, was perhaps the most significant musician to embrace the philosophy of Friedrich Froebel (1782-1852), who founded the kindergarten in 1837 and consistently acknowledged and dignified children's natural capabilities and interests. Smith's songs still appear in published song…

Case studies are presented of musicians with dyslexia who experienced difficulties in the study of musical notation. The studies focus on their educational histories, musical weaknesses and strengths, and successful compensatory strategies. Suggestions are offered on using multisensory approaches to teach musical notation. (Author/JDD)

Observes that composition is seldom taught in music classes. Suggests that teachers cultivate student creativity and meet the National Standards for Music Education through composition activities with their beginning, intermediate, and advanced choirs. Presents activities that can be used at all three levels. (DSK)

Attempts to begin a process of pedagogical self-evaluation by considering how David Hume's Is-Ought fallacy can serve as an instrument with which to evaluate the content presented in a given teaching situation. Investigates the Is-Ought fallacy through an in-depth examination, and relates it to specific pedagogical issues in music education. (CMK)

William Banfield is a composer with nine symphonies to his credit, as well as countless smaller scale works--concerti, chamber works, operas, choral and jazz works--that have been performed all over the nation. He has also performed with highly acclaimed jazz performers such as Patrice Rushen, Earl Klugh, Najee, Nelson Rangell and many others. He…