A student production of German drama may consist of a connected series of short dramatizations of works by several different authors rather than one long play. Such a format does not tax language abilities, dramatic talent, time, or stage facilities as much. The dramatic pieces of one revue are described. (CHK)

National identity and schooling are predicated on a particular yet ill-defined view of culture. To counter "popular" and "high" culture polarizations and arguments for cultural pluralism, this paper proposes that curricula be designed for student access to forms and symbols defining Australian culture through discourse and…

Describes a study of the relationship between creative dramatics and reading comprehension in which those students who had performed a dramatic presentation of a story answered more inferential questions correctly than did those who had not engaged in the reenactment. (HTH)

Describes "story drama," a technique in which the texts of stories or novels are presented as plays, and shows how it can be used to teach content areas in elementary grades. (ARH)

Indicates that informal classroom drama is not widely used on a regular basis in the eight metropolitan school districts studied. Reports that 20 building principals interviewed cited curriculum load, lack of support from various sources, and teacher training as the most significant reasons that their schools did not do more informal drama. (JD)

Presents a conversational analysis of children's re-created play episodes drawn from a larger study of children's dramatic play and its re-creation through teacher-led discussions. The analysis provides an empirical framework by which educators may reflect upon the utility and appropriateness of this practice. (Author/MS)

Faculty members are writing computer programs that could change the ways professors teach and students learn. Five examples of software are described including those for presenting mathematical concepts in architecture, staging a scene of a play, and an introductory course in plasma physics. (MLW)

A teaher of emotionally disturbed students describes language, science, dramatics, and art activities to help students redirect their creative energy. The importance of structuring the activities for success is emphasized. (CL)

Children develop knowledge and insight into history when they act out dramatic events of the past. Creative dramatics serve as an impetus to further reading and research. Suggestions for teacher use in implementing role playing in the classroom are given. (DF)

The Play Rating Scale was developed to observe young children's behaviors in four different areas of play: physical, block, manipulative, and dramatic. In each area, observations focus on frequency, ability, and creativity in communicating ideas; social levels of participation; and leadership capability. A total of 2,400 three-, four- and…

Reports how the use of drama allowed children to focus on issues raised by the text and to bring their own experience to bear on working through problems. (CRH)

Advocates having students stage drama, especially Elizabethan, to discover the production values that add meaning to the text. (CRH)

Thirty-two children (grades 1-3) of limited English proficiency participated in creative drama sessions over an eight-week period. Results of the study suggest that drama can be effective in stimulating syntactic growth and that interaction and purposeful communication are important in second-language instruction. (PD)

Argues that medieval drama in performance suggests a number of important issues about the nature of literature, particularly about the way narrative and dramatic art can express the life of a community. Presents a series of exercises that start with familiar, nonthreatening situations in order to approach the richness of medieval plays and the…