Discusses materials available to the teacher who wishes to incorporate creative dramatics, music, art, film, or a combination of arts into language arts instruction. (AEA)

Describes a Junior High School project which began as a class project, a children's library story-theater using short plays with familiar storybook and contemporary characters, and original music. Students were involved in all stages of production and performance. (JMF)

A monthly exchange of tips, projects, ideas, and resources. (Editor)

Describes various types of play typical of infants and toddlers. Includes discussion of the developmental benefits of object play, social play, motor play, and imitation. Focuses on the concept of causality, toddler-invented games, repeated movement to gain mastery, and the beginnings of dramatic play. (KB)

Examined effects on target children's sociodramatic role play of sociodramatic script training in combination with an intervention package consisting of peer role prompting, a group-oriented reinforcement contingency, and visual feedback. Found support for use, with a minimum of teacher involvement, of the peer-mediated intervention package in…

Documented differences in the quality of play in thematic and housekeeping organizational patterns of the sociodramatic play center in a preschool classroom. Found the thematic organization resulted in higher quality sociodramatic play in which the children enacted more roles outside the home, utilized more aspects of their roles, demonstrated…

A teacher describes using melodrama as a way to combine the elements of humor and drama to engage the imaginations of young gifted children. Techniques for use with elementary through junior high students are presented along with the script of a play for first or second graders, with the last lines left blank for students to supply their own…

Explains how high-level play is an instructional strategy that builds language, vocabulary, and underlying cognitive skills necessary for children to become successful readers and writers. Notes that high-level play in the classroom occurs in two major areas, manipulative materials play and dramatic play. Explains that in dramatic play the teacher…

Studies low income special education students decided on a theme/story line/subject for an improvisational drama and developed it into a radio play. Concludes that drama is one effective way to find out what quiet people may have to tell educators about themselves and about complex situations and problems that need to be heard and analyzed before…

Discusses how story enactments can be used in preschool and kindergarten classrooms to allow children to take on the role of storymaker and to provide experiences for children to draw upon as they learn to read. Offers tips for individual story writing and suggestions for group story telling. Asserts that a variety of storymaking experiences…

The use of techniques from drama and psychodrama to explore intercultural differences and relations is described. The process used incorporates eight stages of discovery of perceptions, stereotypes, cultural identity, communication taboos, and bringing together individuals from different cultures. (MSE)

Discusses the interaction of culture and creative drama. Examines agricultural societies under three conditions: historically, from neolithic times; contemporary American Southwest Indian and Polynesian; and modern farming subcultures of European industrial societies. Asks how far agricultural life influences creative drama in agrarian societies.…

Explores ways in which "storying" and storytelling occur as an integral part of the collective creation of meaning in improvised classroom drama. Describes storying as a learning experience in a dramatic context that requires thinking in the narrative mode and about narrative as a means of interpreting and verbalizing experience. (MG)

Sociodrama is presented as a structured, yet flexible, method of encouraging the use of creative thinking to examine a difficult problem. An example illustrates the steps involved in putting sociodrama into action. Production techniques useful in sociodrama include the soliloquy, double, role reversal, magic shop, unity of opposites, and audience…

The most popular liberal arts elective offered during "Interim," a three-week intensive study semester given at the Fashion Institute of Technology, is described. Course origin, concept and format, course instructor, department coordinator, and course modifications are described. (MLW)