Explores the benefits in using textbook dialogue as script to be performed in the second language classroom. Teachers, in the role of director, can use theatrical techniques and suggest appropriate pantomime, gestures, and voice inflections to enhance the script. (CB)

Focuses on the use of children's literature in the treatment of child abuse, a method referred to as bibliotherapy. Describes children's books that can be used in this approach and presents suggestions for follow-up activities. (NH)

Offers suggestions for promoting dramatic play as a medium for literacy development by concentrating on three factors: (1) the settings in which play occurs; (2) the amount of time allocated for play activities; and (3) the type of teacher involvement in play episodes. (MG)

Discusses the life and works of playwright Eugene O'Neill and provides a selected bibliography that records the major book trends of scholarship on O'Neill, including reference works, biographies, criticism and interpretation, anthologies of criticism, and collections of major libraries and archives. (LRW)

Describes a learning activity for clinical psychology classes in which theater arts students create the role of a client. Students are videotaped twice in an interview situation with the actor. Psychology students receive feedback from the instructor. Both actors and students report benefits from the experience. (KO)

This article describes a project which involved inner city elementary grade children with disabilities in writing and performing their own plays. A four-step playwriting process focuses on theme and character development, problem finding, and writing dialogue. The project has led to improved reading skills, attention, memory skills,…

Reviews two sets of play theories, classical and modern, noting that the reason and purpose for play are explained by classical theories; the role of play in child development, determined by modern theories. States that process of play has dual functions of personal expression and social adaptation. Examines the relationship between play and…

Found a relationship between enriched sociodramatic play experiences and increases in children's language performance in the year before the children entered kindergarten. (BC)

Presents a conceptual framework for examining cultural diversity in theater and drama programs for young people. Describes and analyzes specific strategies used to increase cultural diversity in various organizations observed in the spring of 1991. (HB)

Discusses the realities of teaching Shakespeare in the schools. Describes the beliefs undergirding the Folger Library's Shakespeare education program--Shakespeare is for all students; the teacher's job is that of tour guide and not translator; students learn Shakespeare by doing Shakespeare--and that students should make their own connection with…

Describes a theater for children and youth on the island of Aruba and the celebration of the project in a youth theater festival. Outlines the goals of the theater project. Discusses the development of the festival plays, the themes expressed in terms of metaphor, and the communication through objects used in the plays. (CR)

Discusses the advantages of dramatizing poems in the English-language classroom. Apart from the individual lines, there can be a chorus for the story part of the poem, which can include the whole class. Each pupil can play a part, according to his or her own ability. (MSE)

Describes an activity for English classes combining elements of popular culture and creative dramatics by having students, after they have read a Shakespeare play, create answering machine messages for the various characters. Notes that other students portraying different characters can leave messages. Shows how this creates opportunities for…

Discusses issues of qualitative research stimulated by Eileen Waldschmidt's work on bilingual teachers and creative drama including issues of the researcher's stance, primacy of voice, and thickness of data. (SR)

Responds to jurors' comments and questions regarding the author's study on bilingual teachers and creative drama. Argues that she did write four teacher stories, but questions whether they hold up to criteria often used to evaluate stories. Asks just whose story is being told in qualitative research. (SR)