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Showing 1,066 to 1,080 of 2,703 results Save | Export
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Egilmez, Hatice Onuray; Engur, Doruk – Educational Research and Reviews, 2017
In this study, the self-efficacy and motivation of Zeki Muren Fine Arts High School piano students were examined based on different variables as well as the reasons for their failure. The data on their self-efficacy were obtained through self-efficacy scale of piano performance and the data on their motivation were obtained through motivation…
Descriptors: Self Efficacy, Music Education, Musical Instruments, Student Motivation
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Simones, Lilian; Rodger, Matthew; Schroeder, Franziska – Cognition and Instruction, 2017
This study centers upon a piano learning and teaching environment in which beginners and intermediate piano students (N = 48) learning to perform a specific type of staccato were submitted to three different (group-exclusive) teaching conditions: "audio-only" demonstration of the musical task; observation of the teacher's action…
Descriptors: Musical Instruments, Music Education, Teaching Methods, Observation
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Cardany, Audrey Berger – General Music Today, 2015
Drawn from Britta Techentrup's children's book "Little Wolf's Song", the author shares music activities appropriate for preschool and children in primary grades. Children will enjoy Technentrup's tender family story, while exploring vocal and instrumental timbres, as well as reading, writing, and creating with melodic contour.
Descriptors: Music Activities, Music Education, Preschool Education, Elementary Education
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Yoo, Hyesoo – Music Educators Journal, 2015
Before our current notation system was widely adopted by musicians, improvisation was a key component of music throughout the Western world. One of the fundamental elements of the baroque style, namely, using improvised embellishment, offered musicians great artist liberty. During the baroque period, improvisation spread across Europe and beyond.…
Descriptors: Teaching Methods, Music Education, Creativity, Music Activities
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Geringer, John M.; MacLeod, Rebecca B.; Sasanfar, Justine K. – Journal of Research in Music Education, 2015
We studied music majors' perception of intonation in accompanied solo performances of trumpet, violin, and voice. We were interested in whether listeners would judge pitch deviations of equal magnitude in the three solo performances as equivalent in intonation. Participants were 150 graduate and undergraduate music majors drawn from two large…
Descriptors: Music, Music Education, Majors (Students), Musical Instruments
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Gleason, Bruce P. – Music Educators Journal, 2015
As of 2014, the U.S. Department of Defense is the largest employer of musicians in the United States, with more than 6,000 musicians serving in active-duty, reserve, and National Guard bands. From its dual origins with drums and fifes in infantry units (foot soldiers) and trumpets in the cavalry (horse-mounted troops), music has served crucial…
Descriptors: Armed Forces, Military Personnel, Musicians, Music Activities
Joao Paulo Casarotti – ProQuest LLC, 2015
German-born composer Ernst Mahle (b. 1929) holds a respected position in the music field in Brazil, his adopted country since 1951. Mahle is the artistic director and co-founder of the "Escola de Musica de Piracicaba," one of the most important musical institutions in Brazil. His work has focused on conducting, composition, and…
Descriptors: Musicians, Musical Composition, Music Education, Elementary Education
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Conkling, Susan Wharton – Teaching & Learning Inquiry, 2016
Whereas most articles in this special issue demonstrate careful and close-up views of Scholarship of Teaching and Learning (SoTL) in a performing arts or humanities discipline, my approach is opposite; I look in on music teaching and learning to interrogate current conceptions of SoTL. I begin with Sloboda's cognitive explanation of music…
Descriptors: Scholarship, Instruction, Learning, Music Education
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Arthur, Patricia; Khuu, Sieu; Blom, Diana – Australian Journal of Music Education, 2016
The metronome is a frequently used time-keeping tool in music instrument practice. However, if its speed is set beyond a comfortable level for the performer, their eye movement (EM) patterns can betray pressure that might have been placed on the visual processing system. The patterns of the eyes moving forward or back, (saccades); when the eye…
Descriptors: Teaching Methods, Music Education, Eye Movements, Musical Instruments
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Watson, Amanda – Victorian Journal of Music Education, 2016
This paper is a reflection on a teaching program located in a Government primary school in Melbourne and initiated by the Melbourne Symphony Orchestra (MSO). The school was selected by a coincidence. Volunteers, MSO personnel, community and corporate funding, employed classroom and specialist music teachers came together to provide teaching of…
Descriptors: Music Techniques, Music, Musical Instruments, Foreign Countries
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Toptas, Baris – Educational Research and Reviews, 2016
It is very important for a student to study regularly so that the results of effective training given by the teacher can be positive. It is an inevitable fact that daily and regular work will bring success to students. Therefore, daily work is highly important in music education. Daily work in instrumental education, which is a part of music…
Descriptors: Music Education, Musical Instruments, Memorization, Experimental Groups
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Wassrin, Maria – Action, Criticism, and Theory for Music Education, 2016
This article explores the possibility of conceiving preschool music activities as a way of forming spaces of participation with society's youngest. The discussion draws on Hannah Arendt's ([1958] 1998) definition of public spheres, and the argumentation is closely linked to an empirical example from musicking events with 1-3 year olds in a…
Descriptors: Music, Music Education, Music Activities, Preschool Education
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Meleshkina, Elena Anatolyevna; Scherbakova, Anna Iosifovna; Korsakova, Irina Anatolyevna; Slavina, Elena Vladimirovna; Kazakova, Irina Sergeevna – International Journal of Environmental and Science Education, 2016
The article is devoted to the reflection on the problem of the "immersion" in the artistic world of a composer's creative work in a piano class in the beginning of the 21st century. The wealth and diversity of the music material for piano players determine the new quality of understanding music and set high goals and objectives for a…
Descriptors: Music Education, Musical Instruments, Musical Composition, Musicians
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Coleman, Jeremy M. – Journal of Visual Impairment & Blindness, 2016
In 2011, a collaborative effort began between the Texas School for the Blind and Visually Impaired (TSBVI) and Austin Classical Guitar (ACG), a local 501(c) nonprofit music organization. The idea behind this collaboration was to start a small guitar program that would provide TSBVI students with quality classroom guitar instruction. At that time,…
Descriptors: Visual Impairments, Music Education, Music, Musical Instruments
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Briscoe, Diane – Music Educators Journal, 2016
Factors that determine the rate of a child's progress on a musical instrument include the quality, quantity, and regularity of home practice. Because a young pupil sometimes lacks the skills necessary to practice independently at times, music teachers could encourage and motivate parents/guardians to participate more fully in their child's music…
Descriptors: Music, Music Education, Music Teachers, Parents
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