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Owen, Steven V.; And Others – 1973
The purpose was to determine the effect of group size on both the total and the average per person fluency, flexibility, and originality of responses to problem solving tasks. One hundred sixty-three college juniors and seniors were assigned at random to groups of one, three, six, or twelve members. All groups were given identical instructions to…
Descriptors: Creativity, Group Dynamics, Instruction, Problem Solving
Peer reviewedWestern, Tracy A. – Journal of Communication, 1978
Relates the lack of diversity in television programing to the drive for profit maximization on the part of the networks, which supresses creativity and encourages conformity to proven success. (JMF)
Descriptors: Broadcast Industry, Creativity, Networks, Programing (Broadcast)
Peer reviewedWilson, Alfred P.; Singer, James D. – Journal of Creative Behavior, 1977
Described is a playground designed by an architectural student and built by parents of elementary school students in Kansas for a total cost of $50. (IM)
Descriptors: Creativity, Education, Elementary Education, Parent Participation
Stahl, Richard L.; Stahl, Robert J. – Creative Child and Adult Quarterly, 1976
Examined is the relationship between values clarification and creativity in children. (CL)
Descriptors: Creativity, Elementary Secondary Education, Teacher Role, Values
Peer reviewedBrink, J. R. – College Composition and Communication, 1977
Composition teachers today stifle creativity by imposing the burden of originality on their students. (DD)
Descriptors: Creativity, Higher Education, Teaching Methods, Writing (Composition)
Peer reviewedFraenkel, Jack R., Ed. – Social Education, 1977
Two views are presented on the question of whether or not creativity can be taught in social studies classrooms. Barbara Olmo argues that social studies is especially well suited for teaching creativity. Alvin Wolf replies that creativity can be encouraged but not taught directly. (Author/RM)
Descriptors: Creativity, Elementary Secondary Education, Imagination, Social Studies
Peer reviewedBailin, Sharon – Journal of Educational Thought, 1987
Argues against the view that creativity must sometimes be realized at the expense of the quality of the work produced, perceiving this dichotomy between creativity and quality as a false one based upon an erroneous theory of creative process. Sees creativity and quality as intimately connected. (DMM)
Descriptors: Creative Development, Creative Expression, Creativity, Educational Theories
Peer reviewedSawada, Daiyo – Journal of Humanistic Education and Development, 1986
Recent research in chemistry has revealed nuances of natural processes that allow a strongly scientific yet aesthetically humanistic approach to creativity. In this approach creativity is viewed as emerging order. Answers two questions regarding creativity in the classroom: What is "order" in a classroom? and In what sense does order "emerge"?…
Descriptors: Classroom Research, Classroom Techniques, Creativity, Humanistic Education
Peer reviewedFarra, Harry – Journal of Creative Behavior, 1988
A model of John Dewey's theory of reflective thought, as revised in 1933, is reviewed and its implications for the creative process explored. Reflective thought differs from random thought in its "chaining" feature, which entails a consecutive ordering so that each idea determines its successor while referring to its predecessor. (VW)
Descriptors: Cognitive Processes, Conceptual Tempo, Creativity, Models
Peer reviewedGoswami, Amit – Journal of Creative Behavior, 1988
The idea that creative acts are quantum jumps in the brain's mechanism is explored. Descriptions of the creative process that support the central role of sudden and discontinuous leaps of thought are cited from various philosophers and scientists. Distinctions between the functions of the brain and of computers are drawn. (VW)
Descriptors: Cognitive Processes, Computers, Creativity, Philosophy
Peer reviewedPatterson, Becky H. – Journal of Creative Behavior, 1986
Principles of creativity and andragogy (the art and science of helping adults learn) are compared and found to be complementary especially in such areas as self-direction, active learning, and preference for the problem centered approach. Adult educators should utilize creativity research and creativity researchers should incorporate the…
Descriptors: Adult Education, Adults, Andragogy, Creativity
Tolliver, J. M. – Gifted Education International, 1985
The writer suggests that educators inhibit creative pupils not only by selecting knowledge but also by communicating certain selected skills, expectation of roles and unconscious expressions of values and assumptions. He suggests that universities perpetuate these constraints through the regulatory function of education which seeks to standardize…
Descriptors: College Students, Creativity, Higher Education, Universities
Steinberg, David; And Others – Pointer, 1985
Ten special education teachers describe innovative activities that have given their students enjoyment and feelings of success. Approaches include teaching emotionally disturbed students to use social skills in a teacher-student interaction setting, using a checker format to enourage multiplication skills, and teaching a variety of skills through…
Descriptors: Class Activities, Creativity, Disabilities, Elementary Secondary Education
Peer reviewedSilk, Geraldine – Journal of Reading, Writing, and Learning Disabilities International, 1985
A dance and movement therapist reviews the contributions of creative movement and dramatic play in the education of handicapped students. Sample exercises and their benefits are described. (CL)
Descriptors: Creativity, Disabilities, Dramatics, Education
de Alencar, Eunice M. L. Soriano – G/C/T, 1985
The author reviews studies on creativity among Brazilian elementary students and their teachers and notes that fostering creativity does not appear to be a goal in most of Brasilia's schools. (CL)
Descriptors: Creative Development, Creativity, Elementary Education, Foreign Countries


