This article presents guidelines to the elementary teacher for producing a class play. The script for a short adaptation of "Alice in Wonderland" is appended on pages 47-49. (SJL)

Presents a rhetorical perspective for examining Shakespearean dramatic texts and an instructional framework for translating that perspective into the teaching of solo performance of Shakespearean dramatic literature. Describes techniques for implementing classroom performance that will develop and demonstrate student understanding of the text.…

Highlights findings and observations of a project using drama in the teaching of race relations. Part of a larger project on the problems and effects of teaching about race relations carried on in England from 1972-75. (JMF)

Describes two drama programs designed for children with specific learning disabilities and based on the needs of these children to achieve and develop a positive self-image. (JMF)

Reviews various commercial materials for use in preparing story dramatization activities. (FL)

Presents the view that the play environment provides the necessary outlets that stimulate the development of the whole child. (SS)

Explores the extent to which the scholarship of interpretation-in-performance parallels the knowledge of written literary criticism and contends that solo and group performance is a form of "published scholarship". (MH)

Discusses the contributions of Clare Tree Major, the first theatre professional to provide touring plays exclusively for children's audiences, and examines her treatment of classic children's literature through the play "Little Women" Available from: Children's Theatre Review, American Theatre Association, 1029 Vermont Avenue, N.W. Suite…

For almost 50 years, the 8th-grade graduating class at a New Jersey private elementary school has presented an expertly produced Shakespeare play, alternating between "The Tempest" and "A Midsummer Night's Dream." The whole school becomes involved, from younger kids reading story versions of the plays, to older kids making…

A teacher at the Model Secondary School for the Deaf (District of Columbia) briefly describes the process of interpreting poetry and drama into American Sign Language (ASL) with his students. The process involves analysis and discussion, followed by mapping the subtext and adapting it to ASL. The process improves not only acting skills but also…

Uses two examples of fieldwork on the Indian sub-continent on which to base a model for a participatory practice in Theatre for Development (TFD). Offers a brief contextualisation of TFD within the development discourses of modernization and participation. Outlines four key elements for this type of participation: passion, story, contradiction and…

Extends readers' theater to movie theater by asking the students to make a video production of the book "The Outsiders" by S.E. Hinton. Notes that the educational objectives for the project included increasing reading fluency, developing oral presentation skills, identifying the basic elements of a novel including setting, character, and plot, and…

Identifies metacommunication strategies with which preschool children negotiate meanings during dramatic play. Finds behaviors ranging from those which overtly expose the play frame to those which operate within the play frame. Proposes a system of implicit rules, indigenous to the child culture, which guide choice of strategy. (SR)

Discusses the "socio-play" philosophy of drama education as practiced in the Soviet Union. Outlines the basic structure of the Soviet educational system. Recounts a Soviet educator's practice of socio-play philosophy. (SR)

Reviews the problems and challenges created by the demise of the American Theatre Association (ATA). Emphasizes that theater education is not adequately represented in the nation's schools. Defines theater education issues as theater education curriculum, assessment instruments, theater teacher training, and subject matter endorsement. (GG)