Students were asked to describe a time when they felt in charge of their learning in school--when they were working not just for a grade but because they were excited and interested. This article shares what a few of them said.

In fourth grade, North Carolina students are required to write their own personal narratives. The teachers felt that telling a story would be a great stepping stone toward writing one. Rather than focusing on grammar and the mechanics of writing, students could focus on story development and creativity. In this article, the author describes how…

Facing difficulties in the implementation of its "standards" agenda, the English government has recently introduced a set of policy strategies and initiatives which seek to promote enjoyment, innovation and creativity in education. One such initiative is Creative Partnerships (CP). Funded predominantly from the Arts portfolio, CP brings…

Purpose: The purpose of this paper is to explore how appreciative inquiry (AI) as a pedagogical tool can be generative in nature creating opportunities for development and change in a business school context. Design/methodology/approach: Using a qualitative approach this research involved data collection and analysis in three stages of AI with a…

This study aimed at revealing the problems experienced by primary teachers of Hong Kong SAR, China, in their initial school-based creativity teaching, through reviewing the teacher reflections in 75 action research reports. A number of teacher tensions and dilemmas emerged. Lack of teaching time and undesirable student performance in creative…

Formal organizations share a common set of characteristics that include identifiable operating principles and coordinating mechanisms as well as lines of authority and communication. However, some organizations--especially those on the margins of institutional fields--creatively combine institutional and anti-institutional characteristics. This…

The paper questions the link that policy-makers assume exists between qualifications and access to employment in the creative and cultural (C&C) sector. It identifies how labour market conditions in the C&C sector undermine this assumption and how the UK's policy formation process inhibits education and training (E&T) actors from…

This paper describes an intergenerational project developed in partnership between a social work degree program and an Older People's Theatre group. Bringing together a small group of students, older actors, and film makers, methods from drama and the arts were utilised to explore the topic of intimacy and sexuality in later life. The project…

This paper examines the nature and evaluation of creative behavior, tracing the origins of creativity research and developing an interdisciplinary framework for such research. The first part of the paper is devoted to identifying the nature of some common misconceptions regarding the nature and evaluation of creative behaviors, and tracing their…

The paper reports findings of a study describing and analyzing the creative and social behavior of four highly original children in the context of 1 year's preschool experience. Videotape, interview, participant observation, and artifact data were collected to construct the descriptions. The study attempted to answer the following questions: (1)…

There are many myths about young children based on the definition of creativity as an innate capacity for openness to experience. This definition of creativity as a personality trait or attitude (creativity as expressiveness) has little relationship to creativity as the making of original and socially valuable products. Studies of children's art…

The author is concerned with the role of preconception in the process of creative thinking, and as a psychologist, he experimented to determine what variables influence creative thinking. In the process of experimentation, however, he began to feel that some specific preconceptions were warping his investigation and were detrimental to a useful…

The research attempted to determine if there are creative processes which are independent of intelligence, as generally measured, and to describe these processes. An original test battery was designed and administered to 102 college music majors. The subjects were separated into the categories of a 2 x 2 x 2 factorial design by high or low…

Discusses research on verbal creativity conducted in Rome, Italy, which analyzed 320 free compositions written by children between the ages of 8 and 11. (CFM)

Left- and right-handed second-grade, sixth-grade, and college students were compared on four subtests of the Torrance creativity test. At each level, left-handed students had higher creativity scores than right-handers. The greatest differences were found on the elaboration subtests. (Author/RL)