A discussion of the use of drama in the foreign language classroom looks at the three common ways it is used: (1) the dramatic teacher, or methods in which the teacher's dramatic behavior involves the students in interesting communicative situations; (2) creative drama, in which activities focus on the students' involvement in spontaneous dramatic…

This book presents a view of the place of drama in foreign language teaching with the intent that student motivation for learning a foreign language can be activated through the use of a number of activities grouped under the heading of "drama." Drama here is defined as any activity which asks the student to portray self or another person in an…

This review of current uses of drama in the teaching of literature deals with drama that is "concerned with experience by the participants, irrespective of any function of communication to an audience." Chapters are devoted to (1) the British-influenced Dartmouth Seminar proposals emphasizing drama and oral language, (2) American…

This book discusses the history of European and American drama from the advent of the "modern" era (around 1870) until the early 1970s. Coverage is further restricted to persons and events most characteristic of an era or of greatest significance later. Both theatrical and dramatic practice are treated as integral parts of a whole. Some…

With a little practice, even an amateur or classroom technician can learn the fundamentals of simple theatrical makeup. The principles of stage makeup and its application begin with a knowledge of the materials and the tools used to apply them. Base, liner, rouge, eye shadow, lipstick, and finishing powder are the basic materials. Base comes in…

Describes a method for teaching creative dramatics. (RB)

A list of plays on the 1974-75 production schedules of United States colleges. (CH)

Discussion of means for recording improvisational dramatic performances by students. (CH)

The policies, purposes, and guidelines of "Stage 40," an educational repertory company for students, are presented in this paper, which also explains how the company functions. The paper discusses the company's history, the relationship between the company and academics, and the responsibilities of a company member. Letters by the board…

Describes mime program at a high school. (CH)

Comments on feminist criticism of current drama. (CH)

A discussion of the pros and cons of considering the theatre as literature despite the "performance" qualities of dramatics. (CH)

Article focused on the need for theatre education to respond to a growing sentiment of public concern for the arts in American life by reshaping its aims, methods, and philosophy. (Author/RK)