Contends that, over the past 10-15 years, critical studies has become established in the primary and secondary phases of art and design education. Maintains that critical studies is a collective term for a range of interests and activities that enrich those practical components of the art curriculum regarded as core disciplines. (CFR)

Ways are presented that German composers and painters can be introduced to second-year language students through interactive oral presentations using cassettes, reproductions of art works, and slides. (Author/LB)

At St. Mary's School for the Deaf (Buffalo, New York), deaf students learn about video production techniques, including captioning, self-expression, performing, script writing, set building, and camera operation, through hands-on experience. This article describes equipment available in the schools' media center and students' enthusiasm for the…

Argues that many of the concepts which constitute discipline-based art education (DBAE) can be related directly to postmodernism. Examines the historical development of art education in relation to art movements, the improved relationship between artist and market, and cultural pluralism. Concludes that DBAE may help students comprehend the…

Contends that a work of art may have more than one story to tell and that the full meaning requires knowledge of the artist's background and culture. Presents four classroom lessons based on three paintings and a beaded belt. Includes full-page color photographs of the art works. (CFR)

Reviews studies delineating positive effects of visually engaging, authentic classroom materials on language learning and cultural attitude formation. Cross-disciplinary approaches combining language, literature, history, and art emerge as effective methods of creatively using class time to achieve linguistic and cultural proficiency. (30…

Describes the use of generative curriculum in a first-grade class, whereby students pursue their own topics of interest and ways of learning as they engage in meaningful inquiry. Outlines demonstrations that teachers can use to help students develop their own topics. Areas covered include composition, visual arts, notetaking, interviews, surveys,…

Shows how high school students used foam carpet padding to create forms for still-life drawing. Discusses learning to progress from simple-line drawing to a three-dimensional image. Identifies the drawing of shadows, and extreme light and dark values, as points that need to be emphasized repeatedly. (KM)

Provides a picture essay of the history of the Ohio River. Describes paintings and photographs displayed on the "Always a River" barge, a joint state humanities council project focusing on the Ohio River. Explains relationships between art works, artists, and historical change along the river. (CH)

Maintains that teachers and artists are alike in that they are communicators, inquirers, required to know themselves, trained to think qualitatively, concerned with technique, and evaluated by their work. Argues that using the model of the teacher as artist is superior to using only technical and quantifiable methods. (CFR)

Reviews past studies of children's drawings and their relationship to academic ability. Discusses the use of Clark's Drawing Abilities Test with gifted and talented secondary students. Finds that the test can be used successfully to identify various ability levels among students. (CFR)

Explains how artist, Tim Rollins, worked with Kids of Survival, a group of secondary school students in the South Bronx area of New York City, to create large scale art works inspired by Franz Kafka's book, "Amerika." Describes scale, materials used, use of contrasts, and inspiration for these artworks. Suggests similar art activities…

Examines how cultural literacy currently means a particular form of aesthetic literacy. Proposes cultural literacy should include ethnoaesthetic studies of art and culture. Discusses characteristics of cash culture, the assumptions of universalism that accompany cash aesthetics, cultural literacy for critical consciousness, and the application of…

Describes the different approaches to art by the American Indian and western cultures and the approach of students at the Institute of American Indian Arts, combining elements from each to create new Indian art forms. Discusses the Indian Arts and Crafts Bill of 1990 and its definition of Indian art and artists. (DLM)

Presents classroom lessons based on four art works designed to change people's minds and behavior. Provides full-page color reproductions of each work of art. Includes information about the artist, questions to be asked about each art work, and suggested classroom activities. (CFR)