The use of creative dramatics in the library media center allows children to bring characters and stories to life, and encourages verbalization, experimentation, improvisation, and problem solving. Dramatic play activities are presented for grades two through six. (Author/AEF)

Describes strategies that encourage children to find their own answers to questions--their own or an adult's--through investigation. Also gives suggestions for activities involving finding answers and recording data in different classroom learning centers in areas such as art, block play, music, food, science, and dramatic play. (HTH)

Examined the effect of sociodramatic play on the literacy learning of first graders. Found that sociodramatic play provided a vehicle through which the players practiced what they knew about literacy and provided an opportunity to think about literacy in the context of various play themes. Adult mediation enhanced the players' incorporation of…

Discusses the pedagogical advantages in using live dramatic sketches in the classroom. These include drama as an interactive activity, repetition of language points, use of body language as an effective visual aid, personalized messages to the students, and a display of language in action. (CK)

Describes Project Desert Shield, a curriculum that preschool children and teachers at a U.S. military base in Germany developed to embrace and constructively deal with the interests and concerns of the children about Operation Desert Shield/Desert Storm through dramatic play. (Author/BB)

Four language classroom activities are described, including a food game, a culture and language activity based on a Paris Metro ticket, an exercise in the use of definite and indefinite articles using a film poster, and a classroom adaptation of a fairy tale for dramatic oral presentation. (MSE)

Reviews the role of expressive arts in the Scottish curriculum from 1950 to the present, including changes in definitions of expressive arts (currently art and design, drama, music, and physical education); time allocated to them; teacher preparation; and the role of the specialist teacher. Discusses implications for the expressive arts in the new…

Describes the production of a dramatic musical, Chimera: A Journey to Redoubtia, at Chapman Elementary School in Anchor Point, Alaska. Student participation in the project, and students' rewards from participation, are detailed. Benefits of the integration of dramatics into the language arts curriculum are listed. (BB)

Describes how small groups of eighth graders in a reading and language arts class collaborated on writing and performing mystery plays. Notes that mutual critiques during rehearsals lead to meaningful revisions and expanded students' knowledge of plot and characterization. (SR)

This reprint of a lecture published in 1976 examines the uses of history and literary stories for instructing children in grammar, creative dramatics, natural history, and prehistory, as well as literary analysis. Provides a starting point for thinking about the power of literature as an integrating medium in the Montessori elementary classroom.…

Discussed is the purpose of role playing in the classroom. Suggestions for preparing for role playing are enumerated. The advantages and rationale for role playing in the science classroom are stressed. (CW)

This article examines the use of theater in secondary education to highlight social issues and enhance students' lives. Several examples of plays and the subjects approached are briefly discussed. The article concludes with a list of theater companies that can be used as resources. (GLR)

Discusses an unsuccessful lawsuit brought by Margaret Boring, an acclaimed high school drama teacher in Buncombe County, North Carolina. She was transferred to a middle school for allegedly violating the school's "controversial materials" policy after students performed an expurgated version of Lee Blessing's "Independence."…

Talks with Dr. Barbara McIntyre, Professor Emeritus, internationally known educator in the field of drama education about her own teacher preparation and early teaching experiences; how teaching in a one room school laid the foundation for her philosophy of drama education; major changes in the field of drama education; children's theatre and…

Explores what creative drama is, why it should be included in the teaching of both expository and creative writing, and how language arts teachers can implement creative drama activities to increase student success in writing and to improve learning. Describes how using creative drama to enhance creative writing restores authority to students for…