Discusses the advantages of teaching students the language of public performance, focusing on drama but providing implications for the reading of poetry as well as for public speaking. (RL)

Describes a role-play exercise in which several groups, of varying ability and of six members each, acted out a crime story, with the help of written information. Preparation included vocabulary and pronunciation exercises. After performance, errors were corrected and the play performed again, with roles re-distributed. (IFS/WGA)

Defines "creative rehersal" as a semi-structured playing of a narrative thread in a spontaneous manner by a child or group of children and an adult in order to practive problem solving abilities and describes the interaction of a child and an adult in such a situation. (MH)

A traveling road show of performing artists and craftsman has been organized in the state of New York to bring shows and demonstrations of creative art to the parks of rural communities throughout the state. (JD)

Discusses some of the ways that rocks can be used to enhance children's creativity and their interest in science. Suggests the creation of a dramatic production involving rocks. Includes basic information on sedimentary, igneous, and metamorphic rocks. (TW)

Describes a magic show designed to encourage young children in physics and chemistry. Discusses how a little "razzle-dazzle" can effect children positively. Tells how to organize and perform a magic show. Details six tricks that focus on principles of chemistry or physics. (CW)

Includes an annotated bibliography of documents in the ERIC system that (1) provide insight on the value of role playing and dramatic play in the classroom and (2) suggest a variety of classroom activities that use improvisation as tool to help children retain ideas, emotions, or any academic lessons. (JD)

Describes a three-step process which enables students to understand the subjunctive in German. This method is based on Stephen Krashen and Tracy Terrell's Natural Approach and involves students in communicative situations through the use of props, dialogs, and mini-dramas. (SED)

Investigates the capacity of intervention, in the form of a modified creative dramatics program, for development of positive self-concepts and creative expression in children. Using institutionalized and noninstitutionalized children, the study indicated the intervention group improved significantly on self-concept and creative expression…

Describes an experiment in which 43 children aged 12 to 13 years were withdrawn from their regular classes to spend a week in a French immersion program. The week was organized around the theme of the French Revolution; a particular part was assigned to each student. All activities were in French. (SED)

Elementary education majors interviewed 40 classroom teachers to determine (1) whether creative drama activities were used and how often; (2) benefits to children; and (3) real/imagined problems with using creative drama. The author analyzes the responses and comments on the future role of creative drama in the school. (PD)

The Illinois Early Learning Project (IEL) is funded by the Illinois State Board of Education to provide information resources on early learning and training related to implementing the Illinois Early Learning Standards for parents and for early childhood personnel in all settings. The IEL tip sheets offer suggestions to parents and early childhood…