Draws on six instances in which students were engaged in improvisational musical composition with peers and/or a teacher in music classroom settings. Offers an analysis of the creative process and product. Discusses the findings and the role of shared understanding in empowering independent musical thinking. (CMK)

This article argues that any progress we have made in understanding creativity is being threatened by the increased emphasis on objective criteria of all aspects of learning. Indicators of creative potential are discussed, including originality and flexibility. Because creativity is often intrinsically motivated, the need for appropriate…

The distinction and relationship between teaching creatively and teaching for creativity identified in the report from the National Advisory Committee on Creative and Cultural Education ( NACCCE, 1999), is examined by focusing on empirical research from an early years school, known for its creative approach. The examination uses four…

This study is an exploration of the art produced by American veterans of the Vietnam War. In the areas of artistic history, military service, and the creative process, Vietnam veteran artists are a diverse group, and there are many different ways of explaining the connection between Vietnam experience and their art. Some individuals made limited…

Visual literacy contains a vat of underlying understanding that fuses to the bones of students who actively pursue an art education. For everything visible, there is an invisible internal counterpart, and arts education provides vital depth that is currently being drained from Canadian culture. Visual literacy begins with the elements and…

Novice designers produced a sequence of sketches while inventing a logo for a novel brand of soft drink. The sketches were scored for the presence of specific objects, their local features and global composition. Self-assessment scores for each sketch and art critics' scores for the end products were collected. It was investigated whether the…

A parallel design, in which items across different scales within an instrument share common stimuli and subjects respond to the common stimulus for each scale, is sometimes used in questionnaires or inventories. Because the items across scales share the same stimuli, the assumption of local item independence may not hold, thereby violating the…

Describes an art assignment used in an oil painting class in which the students create a nonrepresentational painting using acrylic paint. Explains that the second stage of the assignment involves students in finding a face in this first painting and using oils to create the face on top of the original artwork. (CMK)

The Government's recently introduced national strategy for primary schools in England and Wales, "Excellence and enjoyment" (DfES, 2003), encourages teachers to be creative and innovative in how they teach the curriculum, whilst "All our futures" (NACCCE, 1999) urges teachers to look for creativity in all aspects of the…

The arts and sciences have been identified as two specific domains that are dependent upon the creative process. A total of 369 undergraduate students served as research participants in two separate studies. In the first study, participants (N = 238) completed a measure of Openness to Experience (NEO-PI; McCrae & Costa, 1999) and a…

In this paper, the author talks about resources and resourcefulness and focuses on the theme that resources include all means of support. Human resources, particularly creativity, intellect, and diligence, are among the most valuable. In times such as these, academic departments and programs in kinesiology, physical education, exercise science,…

In this article, I focus on three defining characteristics of group creativity: improvisation, collaboration and emergence. To demonstrate these three characteristics, I present several examples of group creativity in both music and theater. Then I explore how structure and improvisation are always both present in group creativity. Improvisations…

This article examines the legal and moral basis of affirmative action in science and engineering, in light of recent legal rulings by the U.S. Supreme Court. It argues that affirmative action programs can be morally and legally justified on the grounds that they enhance educational experiences and promote creativity, productivity, and success in…

When creative uses of spoken language have been investigated, the main examples have been restricted to particular contexts such as narrative and related story-telling genres. This paper reports on an initial investigation using the 5 million word CANCODE corpus of everyday spoken English and discusses a range of social contexts in which creative…

This article draws on the conclusion of the Commission on the Humanities in "The Humanities in American Life" that the aim of a liberal arts education is to foster critical reasoning through the use of language or discourse. This paper maintains that the "critical method" is in itself insufficient to achieve its purpose. Its failure is in its…