Specific student attitude problems in compulsory language courses are described and solutions to them are presented, including first-day pep talks, teacher approval and positive attitudes, use of interesting topics, props, provision for student creativity, skillful use of questioning, and use of novelty. (MSE)

Describes schedules and activities of the summer and weekend foreign language immersion programs at the State University of New York College at New Paltz. Gives some highlights of last summer's program. (EKN)

In response to O. Weininger's article, programs in various countries are cited in defense of the efficacy of early language immersion. The importance of flexibility is stressed, as is need to examine bilingual immersion in the light of educational, social, linguistic, and "political" goals, as well as psychological theory. (PP)

The importance of fully exploring the values and limitations of early language immersion programs is reiterated. The need to take children's class advantages into account in judging the effectiveness of such programs is emphasized. (PP)

Teachers working with Asian refugee children describe their approaches to problems involving language acquisition, culture differences, and psychological adjustment. Tips are offered on peer teaching, creating a supportive atmosphere, and English language development. (FG)

Issues relating to multicultural education are addressed in seven articles including: (1) the development of cross-cultural competency and tolerance; (2) multicultural guidance; (3) multiethnic representation in reading materials; and (4) moral education in multicultural settings. (RC)

Presents results of a survey undertaken to determine (1) the situations in which Dutch students (secondary and higher education level) and workers would be required to use French, German, and English, either for personal or professional tasks; and (2) what gaps existed in actual proficiency in these languages. (AM)

Gives the guidelines for a unit of study based on creative activities. Defines procedures, rules of the game, and basic information. The exercises provide instructions and suggestions to stimulate the learners to gradually build a fictional world as a backdrop for the interaction of characters emerging from group work and discussion. (MES)

By means of the Kay Elementrics Visi-Pitch and a split screen, students are able to compare their voice traces with the model's, thereby seeing prosodic, phonemic, and allophonic distinctions they were unable to hear. (PMJ)

This is the introduction to "Strength through Wisdom," the report of the President's Commission on Foreign Language and International Studies. An overview of the commission's findings is presented, along with the commission's principal recommendations and a prospectus for a national commission on foreign language and international…

Describes the use of a game, Grand Prix Wagon Racing, to prompt speaking in the foreign language and to provide visibility among parents and administrators of the foreign language program. (PMJ)

Describes a successful reciprocal bilingual exchange program between Anglophone fourth-year high school students of Spanish and native speakers of Spanish in an elementary school. Plans and specific activities are outlined for weekly interactions which serve as a sociocultural and linguistic bridge between the two groups of Spanish speakers. (PMJ)

Describes a curriculum based on a notional-functional process used to assist advanced ESL students in handling real-life situations. Suggestions for central and spin-off topics include: goals setting, values clarification, the world of work, and apartment hunting. The course forces the authentic use of English and teaches several skills. (PMJ)

The same semantic strategies for requesting are available in Spanish and English. Bilingual children use more polite strategies in speaking Spanish and more neutral ones in speaking English. (PMJ)

Presents strategies for exploring the cultural content of feature foreign films in the language or culture and civilization classroom. Examples are taken from Francois Truffaut's "L'Argent de poche" and from Agnes Varga's "L'Une Chante, L'autre pas." (AM)