Past research has suggested that the disruptive effect of altered auditory feedback depends on how structurally similar the sequence of feedback events is to the planned sequence of actions. Three experiments pursued one basis for similarity in musical keyboard performance: matches between sequential transitions in spatial targets for movements…

The purpose of this study was to investigate possible influences of pitch register and dynamic level on vibrato rates and widths of university and high school violin and viola players. Analysis showed that pitch register significantly affected the vibrato rates and widths of the performers. Musicians vibrated 0.32 Hz faster and approximately 26…

Little attention has been paid to the role of band music in the lives of young people in the first half of the twentieth century. For those in institutional care, musical education represented a rare opportunity to prepare for a specialist career in the armed forces. For the care institutions, the boys' band provided many benefits as it presented…

This paper explores the intersection of Western art music and disability in relation to musical performance. Building on Joseph Straus's essay titled "Normalizing the abnormal: disability in music and music theory", this paper explores three main topics: the theoretical distinction in Disability Studies between impairment and disability; the…

An important part of the process that enables us to improve ourselves as musicians in group music making involves developing an awareness of our personal attributes as they are displayed in the rehearsal. In order to help students become more aware of themselves and of their band members' personal attributes as they rehearse, a peer assessment…

The experiment reported in this article investigated the assumption that visual movement plays a role in musician-to-audience communication in marimba performance. Body movement is of particular relevance here as the expressive capabilities of the marimba are relatively restricted, and the movements required to play it are visible. Twenty-four…

The authors investigated whether intensive musical experience leads to enhancements in executive processing, as has been shown for bilingualism. Young adults who were bilinguals, musical performers (instrumentalists or vocalists), or neither completed 3 cognitive measures and 2 executive function tasks based on conflict. Both executive function…

This article will investigate the notion of "community" within the aspirations of Community Music. Guiding this study are the questions: How is community made manifest through Community Music? What joins the notion of community to that of music? Two distinct sections will frame this research: (1) an etymological consideration of the word…

This article features Joe Rutkowski, an instrumental music director at Great Neck North School in New York. Rutkowski had been teaching for 17 years at Great Neck North and is quite popular for the way he makes his students deeply involved with music. Rutkowski, who is a fourth-generation musician in a family of instrumentalists, received…

Reprinted from "Opera News (November 4, 1967). The article consists of 17 anecdotes, documenting the author's experiences in Europe.

Despite the wealth of research into adolescent role models, few studies have concentrated solely on the musical figures identified by adolescents and the reasons why. Using mixed methods, 381 adolescents (aged 13-14) completed a questionnaire about the musicians they admired and the reasons why. Focus groups were also conducted where adolescents…

This paper presents a study of a series of band rehearsals run by five young people as they practised for a gig together: preparing new songs as well as developing their existing sets. The analysis specifically explores the ways in which the band members collectively develop and evaluate their musical "works in progress." Their interactions were…

The 2006 ISME Commission for the Education of the Professional Musician (CEPROM) provided a unique forum for a number of important debates surrounding the preparation of young musicians for a professional career in the performing arts. One such debate considered the imperative of ensuring young professional musicians graduated from tertiary music…

The purpose of this study was to investigate the effect of presentation modes on evaluations of conducting and choral ensemble performance. Participants (N = 36) were graduate music students with conducting and teaching experience studying in Argentina (n = 18) or the USA (n = 18). The participants viewed and evaluated a stimulus videotape that…

Some couples merely talk about making sweet music together. Yusef Chisholm and Lori Williams-Chisholm really mean it. This article presents an interview with Chisholm and Williams-Chisholm, both music educators in Washington, District of Columbia (DC), and active performing jazz artists, who infuse their classrooms with lessons from the stage.…