This article reviews research on creativity in Singapore and finds that creativity has yet to become a significant research theme in Singapore, the study of creativity seems to be influenced by current educational interests, and that creativity has not been a major theme in the main textbooks written for teachers. (Contains references.) (CR)

Conducts case studies of proficient undergraduate writers from working-class backgrounds in the context of a course preparing sophomore and junior students to be tutors for first-year basic writers. Finds that students explained their experiences suggesting a greater degree of agency, an awareness of themselves as writers in a "contact zone," and…

This article discusses using the Cognitive Assessment System based on the PASS theory, which centers on Planning, Attention, Simultaneous, and Successive cognitive processes, for identifying gifted children. It is argued that this more extensive and inclusive measure of intelligences could identify gifted children who would not traditionally be…

This article explains how the theory of the motivated mind conceptualizes the productive interaction of intelligence, creativity, and achievement motivation and how this theory can help educators to maximize students' emergent potential for giftedness. It discusses the integration of cold-order thinking and hot-chaotic thinking into fluid-adaptive…

Contends that children's playfulness with flashlights is an artform suitable to the art classroom. For example, flashlights can become drawing tools or a means of sculpting with forms and light. Discusses works by "flashlight artists" and considers flashlight art history in the classroom. (CMK)

Discusses an art project in which sixth grade students design alphabets by transforming the shapes of the letters into new designs that are still recognizable. Explains that students brainstorm ideas for their own lettering style. (CMK)

Explores the creative development, motivation, and process of untrained artist Marilyn McKeon. Her explanations suggest that her artmaking is the result of a need for self-expression, self-understanding, and self-healing, notions that are consistent with the theories of Hans Prinzhorn (1922) that the creative process is fundamental to all humans.…

Takes issue with the assumed antithesis of processes of the irrational (imagination and creativity) and those of the rational (reasoning and argumentation). Argues that numerous philosophers suggest richer ways of imagining the processes of argumentation. Explores various classroom practices that enable teachers to weave the creative and critical…

Creativity requires application and balancing of three abilities--the synthetic, the analytic, and the practical. Teachers should serve as creativity role models, encourage questioning of assumptions, allow mistakes, encourage sensible risk taking, design creative assignments and assessments, let students define problems, and reward creative ideas…

Describes the development of a Staff Creativity Lab at the University of Arizona library that was designed to help foster an atmosphere that encourages creative thinking by learning to use different microcomputers and new software and to develop new skills over networks. The selection of hardware and software is also discussed. (Contains eight…

Highlights "Celebrating the Creative Spirit," a traveling exhibition featuring the work of 25 furniture-makers from nine southern states who use furniture as a means of personal artistic expression. Provides background on five different artists and an example artwork from each. (CMK)

This article argues that individuals are creative by virtue of a set of decisions and presents 10 decisions that people can make to decide for creativity. Included are teaching examples of these decisions as well as teaching activities to facilitate students' learning how to make these decisions. (Contains references.) (Author/CR)

This interview with Martin Seligman, a past-president of the American Psychological Association and the author of seminal works in the areas of both learned helplessness and optimism, discusses his interest in positive psychology and giftedness, fostering creative genius, his childhood and move from philosophy to psychology, and future plans.…

Presents preservice elementary teachers' frames (points of view) on science curriculum. Uses Carl Sagan's text, "The Demon Haunted World: Science as a Candle in the Dark". Explores how students retelling their reactions to experiences of their own design might influence their awareness of beliefs in general and reconsideration of…

Examines student teachers' beliefs about creativity, creative outcomes, and factors related to creativity. Concludes that creative outcomes were thought to be novel and not necessarily appropriate outcomes, creativity is more likely to be manifested through artistic and literary endeavors, and prior knowledge is not one of the main contributing…