Presented at the 66th Annual Convention of the National Catholic Educational Association, Detroit, Michigan, April 7-10, 1969.

This article deals with the claim that teaching is an art. The particular view of art held by Heidegger is explored in an effort to find the meaning of art and of teaching. (CJ)

Presents a review of creativity principles, a brief discussion of class activities (brainstorming, surrogating, questioning, analyzing, etc.), a short description of nine audiovisual aids with several ordering sources, and a bibliography. (PD)

The use of IQ scores as criteria for entry into gifted programs is criticized. Difficulties in test interpretation are noted, as are factors biasing the performance of culturally different students. The author cites flaws with intelligence, achievement, and creativity tests and suggests that locally designed and normal methods are preferable. (CL)

Research on cerebral hemisphericity and lateral dominance is reviewed, and relationships between right and left hemispheric modes of information processing as well as problem solving techniques are discussed. Conclusions focus mainly on need for educators to know information processing differences of the two hemispheres to teach children problem…

Discusses how the aesthetic experience of sensuous immediacy has been reduced by common approaches to art education and the modern technocratic society. The article advocates that aesthetic education stress sensuous immediacy to promote creativity, art appreciation, and empathy. (AM)

Outlines John Dewey's philosophy of education and describes the Creative Drama Seminar, a method the author has developed based on Dewey's pedagogical principles for students studying English as a foreign language in an Italian university. (CFM)

Two ways of stimulating creativity--meditation and structured physical movement--bring a new dimension to the teaching of composition by encouraging visualization and imagery, strengthening the integration of both hemispheres of the brain, and allowing the brain to rest. (HOD)

Educational researchers feel that "artistic" models of procedure might not yield material of great value. The most difficult problem is that the more researchers wish to tap the vivid description and deep human insight which the arts can generate, the less they can expect to achieve a neutral presentation of facts. (JN)

Age trends in ideational fluency were investigated by subjecting English schoolchildren to three tests. Consistent increases with age were found on the verbal divergent and Draw a Man tests but not on the figural divergent test. Sex did not significantly affect the results. (Author/MJL)

Examined the interaction patterns of adult creative problem solvers within small, leaderless groups. Presented divergent thinking problems to two groups and categorized their discussions. Results indicated the creative person plays a central role in determining task-oriented directions by initiating and receiving more orienting behaviors. (RC)

Examines significant factors in the teaching-learning process which appear in Arthur Conan Doyle's fiction about Sherlock Holmes. These processes include deduction, memory, specialized knowledge, perception, emotional control, and divergent thinking. (Author/KC)

This reviewer finds that Lewis M. Terman's five-volume "Genetic Studies of Genius," published between 1925 and 1959, makes exaggerated claims for IQ scores as measures of natural ability. (Editor/SJL)