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Bell, Adam Patrick – Action, Criticism, and Theory for Music Education, 2017
What does it mean to experience disability in music? Based on interviews with Patrick Anderson--arguably the greatest wheelchair basketball player of all time--this article presents insights into the complexities of the experience of disability in sports and music. Contrasted with music education's tendency to adhere to a medicalized model of…
Descriptors: Music, Music Education, Disabilities, Team Sports
Rowan, Brent D. – LEARNing Landscapes, 2017
This paper examines the impact of creating music in an improvisational jazz style on an amateur adult musician's mind, body, and spirit. Learning jazz improvisation skills can help build more empathetic human beings, when the focus of improvisation is on reacting to what you hear in a clear and concise manner. Life skills are developed by focusing…
Descriptors: Musicians, Music Activities, Creative Activities, Music Education
Sutela, Katja; Ojala, Juha; Kielinen, Marko – Research Studies in Music Education, 2021
This ethnographic study examines the development of agency in students with special needs during an experiment of classroom music teaching in a special school. The experiment took place from August 2015 to March 2016 and was based on Emile Jaques-Dalcroze's ideas of music and movement as a means of developing competencies, skills and understanding…
Descriptors: Music Education, Movement Education, Video Technology, Personal Autonomy
Coskuner, Sonat – Journal of Education and Training Studies, 2018
Today, contemporary music emerges as an experimental phenomenon trapped in the laboratory environment rather than an element of skill. Modern music, where principles such as specialism and rationality are determinative, has become difficult to understand not only for performers who carry it on the stage but also for today's audience. One of the…
Descriptors: Music, Acoustics, Performance, Musicians
Bugaj, Kasia – Journal of Historical Research in Music Education, 2016
The figure of Tadeusz Wronski is highly respected by the music establishment in Poland. One of the eminent Polish violinists of his generation, his pedagogical contributions form the cornerstone of the Polish violin school during the second half of the twentieth century. His involvement with numerous music-related causes and organizations…
Descriptors: Music, Music Education, Music Teachers, Musicians
Carol Frierson-Campbell; Keumjae Park – Action, Criticism, and Theory for Music Education, 2016
Our theoretical aim in this paper is to interrogate the potential for musicking--Christopher Small's (1989) conception of the musical act, which does not separate musical participation from the musical product--to open up, through a destabilizing performance of cultural hybridity, what Bhabha (2008) calls the third space of enunciation. Based on…
Descriptors: Music, Music Education, Foreign Countries, Interviews
Hudson, Audrey – Art Education, 2020
Although all things about hip-hop culture are not positive, indigenous hip-hop offers narratives of nationhood, pride, resurgence, and calls for Indigenous sovereignty. Through this art form, one gets to see traditional dance steps merged with b-boy/girl styles and graffiti that interrupts the urban landscape with images of history and hope.…
Descriptors: Music, Musicians, Indigenous Populations, Urban Areas
Toscher, Benjamin – International Journal of Education & the Arts, 2020
Research claims that entrepreneurial skills and knowledge are important for the careers of musicians (Bennett, 2016; Breivik, Selvik, Bakke, Welde & Jermstad, 2015; Coulson, 2012). Alumni of higher music education (HME) report "a gap between the perceived importance of such [entrepreneurial] skills and their acquisition" (Miller,…
Descriptors: Musicians, Entrepreneurship, Music Education, Teaching Methods
Ros-Morente, Agnès; Oriola-Requena, Salvador; Gustems-Carnicer, Josep; Filella Guiu, Gemma – International Journal of Music Education, 2019
Latest studies point out the importance of emotional competencies in young people's education. Music is closely linked to people's personal development and the evidence suggests that there are differences in young people who participate in group music-making activities and young people who do not. In the present study we analysed the…
Descriptors: Musicians, Music Education, Music Activities, Singing
Hall, Rich – International Journal of Music Education, 2019
The popular music performance undergraduate degree is a growing area within UK higher education. These courses carry a vocational emphasis and are popular with students looking to establish professional performing careers. As such, they are often marketed as an intermediary step towards this aspiration but, despite their popularity, there has been…
Descriptors: Music, Music Education, Undergraduate Students, Higher Education
Pellegrino, Kristen – Journal of Music Teacher Education, 2019
The purpose of this descriptive case study was to examine two music education students' experiences as String Project teachers (SPTs). Research questions were as follows: What connections were made between coursework and the authentic-context learning (ACL) experience? and What was the impact of ACL experiences on music teacher identity? Data were…
Descriptors: Music Teachers, Music Education, Majors (Students), Musical Instruments
Bax, Patrice Tiffany LeShay – ProQuest LLC, 2019
For African American (AA) male musicians, the road toward career advancement in the entertainment industry is particularly arduous. Despite many difficulties on the journey to career success, the history of gospel, R&B, jazz, and funk music is evidence that many AA male musicians find their way to develop and advance their careers. Many AA…
Descriptors: Resilience (Psychology), Career Development, African Americans, Males
Bennett, Dawn; Reid, Anna; Rowley, Jennifer – International Journal of Music Education, 2017
A presumption behind work-integrated learning activities such as internship programmes is that student thinking will shift as a result of exposure to industry practice. We wondered if all students experience this change in the positive sense that teachers expect. To examine this presumption we asked to what extent and in what ways students…
Descriptors: Personal Narratives, Music, Music Education, Musicians
Watson, Kevin E. – Update: Applications of Research in Music Education, 2017
The purpose of this study was to analyze and compare instructional topics and teaching approaches included in selected class method books for jazz pedagogy through content analysis methodology. Frequency counts for the number of pages devoted to each defined instructional content category were compiled and percentages of pages allotted to each…
Descriptors: Comparative Analysis, Books, Music, Content Analysis
Dalladay, Christopher – British Journal of Music Education, 2017
The National Curriculum for Music in England at Key Stage 3 (KS3; age 11-14) declares its purpose that pupils should be inspired to "develop a love of music and their talent as musicians" (DfE, 2013: KS3 Music). The Office for Standards in Education (Ofsted) have criticised secondary schools for a lack of progress in the musical…
Descriptors: Foreign Countries, National Curriculum, Music Education, Secondary Education

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