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Parsad, Basmat; Spiegelman, Maura – National Center for Education Statistics, 2012
Student access to arts education and the quality of such instruction in the nation's public schools continue to be of concern to policymakers, educators, and families. Specifically, research has focused on questions such as: To what extent do students receive instruction in the arts? Under what conditions is this instruction provided? What is the…
Descriptors: Art Education, Music Education, Dance Education, Theater Arts
Jackson, Vera; Radcliffe, Woodward – Sch Arts, 1969
Descriptors: Art Activities, Painting (Visual Arts)
Farmer, Betsy – Sch Arts, 1970
The use of "magic paint can awaken visual and emotional perception. (CK)
Descriptors: Color Planning, Painting (Visual Arts)
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Timmons, Virginia G. – School Arts, 1971
Descriptors: Art Activities, Painting (Visual Arts)
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Yoder, R. A. – School Arts, 1971
Teaching children how to draw the human form is discussed. (DB)
Descriptors: Art Expression, Painting (Visual Arts)
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School Arts, 1971
A brief description of the BLACK ARTISTS: TWO GENERATIONS show, held at the Newark Museum during the summer of 1971, precedes a series of pictures from the show. (MC)
Descriptors: Artists, Blacks, Painting (Visual Arts)
Behrens, Roy – Sch Arts, 1970
Descriptors: Perception, Teaching Methods, Visual Arts
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Stewart, William – Art Education, 1971
Descriptors: Art Education, Humanism, Visual Arts
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Albers, Josef – Art Education, 1970
Descriptors: Artists, Painting (Visual Arts), Poetry
Guga, Ann Rose M. – Sch Arts, 1970
Art students were introduced to architecture and environmental sculpture and were encouraged to visit construction sites to improve their observation skills. (CK)
Descriptors: Architectural Education, Art, Visual Arts
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Stokes, Patricia D. – American Psychologist, 2001
Discusses how creative individuals maintain high levels of variability, examining how Claude Monet's habitually high level of variability in painting was acquired during his childhood and early apprenticeship and maintained throughout his adult career by a continuous series of task constraints imposed by the artist on his own work. For Monet,…
Descriptors: Artists, Creativity, Painting (Visual Arts)
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Carrier, David – Journal of Aesthetic Education, 2004
Because beauty has for a long time now been politically incorrect (at least among certain influential critics and academic historians) the art of Henri Matisse has recently suffered from a kind of benign neglect. His goals were luxury, calm, and voluptuousness, not social critique. Liberated from any vital connection with everyday life, they often…
Descriptors: Artists, Painting (Visual Arts), Aesthetics
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School Arts: The Art Education Magazine for Teachers, 2004
This article details the work of Raymond Pettibon. Raymond Pettibon's pictures place an equal emphasis on drawing and writing. Working with a cast of characters drawn from worlds as different as Saturday morning cartoons and politics, he tells stories that can be both amusing and critical.
Descriptors: Writing (Composition), Artists, Visual Arts
Lukac, Milan – 1972
To help librarians answer patrons' questions about art works, especially paintings, the procedures followed by the reference division of the Suffolk Cooperative Library System are outlined, and a list of reference materials is suggested. Topics covered include biographical information about artists, identification of paintings, location of…
Descriptors: Art, Art Appreciation, Art Education, Artists
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Covington, Joseph – Art Education, 1988
Uses Marsden Hartley's "Indian Fantasy" to explore with students in grades 7-9 the variety of expressive qualities of an early twentieth-century U.S. artist working abroad. Presents lesson objectives, instructional strategies, evaluation criteria, and background information about the artist and painting. (GEA)
Descriptors: Art Education, Artists, Class Activities, Fine Arts
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