Describes phases of the creative process, and historical and contemporary views of creativity, then presents a systems model of "Creativity," distinguished from the everyday creativity displayed by many people. Describes backgrounds and traits of "Creative" people, and concludes with comments on flow experience and…

Measures of shyness, self-esteem, and creativity were administered to 64 preschool children. Correlational analysis indicated a positive relation between self-esteem and creativity, and a negative relation between shyness and creativity. The relation between shyness and creativity continued after self-esteem was covaried. (Author/DB)

Two studies examined the viability of emotional creativity as a theoretical construct. In both studies, participants (about 1700 college students in introductory psychology) who scored higher on the trait measure of emotional creativity showed greater creativity in expressing emotions, both verbally and nonverbally. (Author/DB)

Describes the conceptual bases of two different approaches to a language of invention and synthetic thinking as applied to commonplace inventions such as the chair: first, a conceptual history based on the gradual accretion of complexity, and second, a modern account based on the principles of engineering design. (DB)

Comparison of 51 artists and 51 nonartists in India found three personality factors (introversion, independence, and tender-mindedness) which, related to working style and creative production of artists, could best differentiate artists from nonartists. These could be predicted from seven other personality factors. (DB)

Addresses issues concerned with the investigation of creativity across various human cultures, including data collection from a limited cultural base, a three-level approach to cross-cultural studies of creativity, identification of basic cultural paradigms characteristic of a specific culture, and barriers to mature cross-cultural relativism. (DB)

Presents the need for a new mindset and for worker creativity and flexibility in the contemporary workplace; describes benefits of and barriers to creative education in schools, colleges, and workplaces. Suggests ways to unleash and empower the creativity of the work force. (SK)

Contends that creative nonfiction is about voice. Notes that creative nonfiction teaches students the power of voice and how to modulate it. Concludes that motivation is higher to tell one's own stories than to write a lab report, analytical essay, or term paper. (PM)

Strategies for promoting creativity in adult education include the following: create and personalize the environment, select diverse instructors and students, allow for generation of new ideas, encourage feedback, support group learning, and plan for accidents/mistakes. Creative learning can generate ingenuity and innovation and enhance…

Previous research has shown that compared with their American counterparts, Chinese students' artwork is perceived as less creative by both Chinese and American judges. Three different factors are posited to be responsible for the discrepancy in rated creativity between Chinese and American students, namely, social values, school pedagogic…

Presents an interview with Colson Whitehead. Discusses his approach to writing a novel. Considers several of his novels and his experiences writing them. (SG)

Evaluated whether viewing violent video material affects cognitive task performance. College students (N=186) were placed in one of four conditions (humorous video, neutral video, violent video, or receiving a gift before performing a cognitive task). Results suggest watching violent video material has deleterious effects on cognitive task…

Differences between advertising and public relations are described, and basic elements of public relations are outlined: community relations, special events, and publicity. Examples of successful community relations and special events conducted by corporations are noted. Techniques for acquiring publicity are described using the acronym NEWS (new,…

The article describes an eight-week program in which gifted first graders at Hunter College Elementary School (New York) design and build a model of an urban home of the future. The program develops creativity and synthetic thought, raises awareness about the homeless and housing problems, and improves fine motor coordination. (DB)

A creatology matrix is developed to examine the abilities, processes, and products of four kinds of entities (culture, organization, group, person). Also examined are creativity as a matter of knowledge, identification with basic cultural values, and typicality of creative people within a culture. (JDD)