In this video, an educator models efficient peer writing conferences in a third-grade classroom. The video demonstrates peer conferencing at work and its value in the daily writing workshop. An important sharing technique is included in the model. Key concepts are listed and reiterated. The model presented in the video may be used at any grade…

In higher education now, educators are faced with teaching students who are not seen as exceptional, in traditional academic terms--even the exceptional ones do not seem to read habitually. The paper argues that among the elements hostile to development of writers of prose might be found elements more conducive to the development of writers of…

Presents findings from an action research study that addressed the problem of promoting change in teaching practices through graduate teacher education. A naturalistic case study describes factors for understanding successful change in teaching practices for one first grade teacher who initiated a writing workshop in her classroom following a…

Presents an example illustrating how teachers can create reading and writing activities that emphasize how words work through grammar, punctuation, mechanics, and usage. Describes a workshop that highlights a single punctuation mark: the semicolon. Notes that the semicolon defies rigid rules for use and is therefore ideally suited for instruction…

Suggests that educators fundamentally change the way they teach grammar. Offers the author's experience with some curious success with students taking on grammar as part of their writing process, and gives some ideas about starting the teaching of grammar in a radically different place and as a radical agent. Speaks against using student writing…

States that a writing workshop environment is a radical approach to teaching, one that requires instructors to empower children to make choices and take responsibility for them. Discusses collaboration, classroom structures, and the need for democratic disposition in a writing workshop. Concludes that the implementation of a writing workshop…

Discusses the ways in which a high school basic writing teacher abandoned the advice about her students offered by her colleagues and chose instead to develop a student-centered writing workshop. Demonstrates the potential a workshop model has for creating a community of authors in a high school basic writing class. (RS)

Presents five ways elementary teachers can enrich their students' fiction writing abilities: teach students to incorporate their own experiences; encourage students to do research; give students chances to read and discuss fiction related to their writing; and help students recognize story elements. (SM)

Discusses one teacher's experiences with Kimmie, a Chinese-American first grader with violent tendencies, and how this young girl changed and became manageable, largely through writing and storytelling. Argues that writing may be a means of expression essential to troubled children like Kimmie. (HB)

Describes the Nebraska Literacy Project, a 5-week workshop for K-12 teachers modeled after the Nebraska Writing Project. Shows how teachers can encourage students to look closely at their own literacy histories and their daily practices as readers and writers. Presents the literacy histories as recorded by some participants. (HB)

Suggests that one of the greatest outlets for the middle school voices in one particular classroom is the students' immersion into poetry during writing workshops. Describes a classroom environment that encourages children to express themselves in writing, speech, and action each day. Presents numerous examples of students' poetry. (RS)

Presents an analysis of teachers' perceptions of themselves as writers with the goal of understanding how teachers' writing ability affects their work and qualifications as writing instructors. Places 32 teachers participating in a 3-day inservice writing workshop into 3 separate "identity concepts" (categories) and a fourth miscellaneous group.…

Suggests that keeping a writer's notebook can be a unit of study in itself and that students can learn to use the notebook as a workbench for drafting, crafting, revising, and editing. Describes the author's work using writer's notebooks across several classrooms and grade levels. (RS)

Aims for students to explore spontaneous ways of finding material for their poems by suppressing control over their subject matter and letting their unconscious minds do the work. Uses a poem of William Carlos Williams, "Red Wheelbarrow," both with K-2 students and adults in a poetry workshop. Illustrates class procedures and activities…

Explores how issues of power and identity are embedded within the cultures of a first-grade writing classroom. Explores the ways in which children's instructional stances--their responses to the ways they are positioned as writers in the classroom--affect their literacy learning. Presents the theoretical and research contexts in which educator's…