The goals of teaching music to the educable mentally handicapped are discussed and a sample unit lesson plan is provided. Also considered are presenting and teaching the song, using rhythm instruments, playing the autoharp, and planning listening activities. Over three-fourths of the handbook consists of singing activities for primary and…

This booklet, designed for early childhood educators, describes young children's developmental sequences as they are related to music education and gives suggestions for age-appropriate musical activities. Special music environments, sound plays, and the teacher's role in helping a child discover music are examined. (SET)

The material in this curriculum guide for a high school elective course may be used in a variety of curriculum designs--from a mini-elective to a full year course. Although it is obvious that none of the students will become expert guitarists in the time alloted, hopefully, through a program based on guided self-instruction and doing, they will:…

An introduction to music emphasizing harmony, this course provides a laboratory approach in which pupils will develop skill in playing brass and woodwind instruments, sing, listen to, read and compose music with emphasis on elementary concepts of harmony. This handbook provides, in outline format, the following: Course Description; Course…

A course in introduction to music emphasizing modes and forms is presented. A laboratory approach in which pupils are to develop skill in playing keyboard instruments, sing, listen to, read and compose music with emphasis on identification of elementary concepts of mode and form is used. Course objectives include: (1) The student will select the…

The author, an associate professor of music education at Pennsylvania State University and some undergraduate music education students explored possible uses of the synthesizer as they attempted to provide experiences in electronic music for a class of fifth grade students. Their program consisted of five lessons in the elements of music which are…

Describes an individualized music reading program for middle school teachers. (Editor/RK)

This paper explores the impact of limiting one's theoretical views of early childhood to deficit-based models on research designs in two areas: instrumental music-making and talking on telephones. Both research projects are described as involving populations of children in nursery school classes attached to primary schools. Both involved…

A project explored the Internet's potential to teach instrumental music online to students in regional or remote regions of Western Australia. The project was established on the expectation that, at some time in the not-too-distant future, instrumental music tutors located in metropolitan regions may have, in their normal studio practice, a…

Discusses the team teaching approach toward educating music students to become proficient with their musical instruments. (RK)

Article considered different ways in which subjects at different age levels solved a musical task involving melodic permutation. The differences in responses to the musical task between age groups were judged to be compatible with Piaget's theory of cognitive development. (Author/RK)

Presents an innovative method for insuring that music students remember what they learned at their last music class. (RK)

In separate articles three authors discuss (1) the beneficial "normalizing effect" of mainstreaming for handicapped students; (2) how to help the nonreader in music class; and (3) what a research study has shown about wind instrument instruction for educable mentally handicapped (EMH) students. (SJL)

Discusses the process of introducing the trombone to beginning students and addresses the issue of warming-up. Provides resources for beginning trombone methods, band methods, and daily warm-up studies. Includes resources for scale studies and etudes for beginning to intermediate trombone players. (CMK)

Discusses the reasons to teach stringed instruments: (1) strings can be adapted to the size of the child; (2) home performance material resource availability; (3) stringed music skills contribute to developing basic skills; and (4) the importance of interaction in music. (CMK)