Reports a study designed to investigate patterns of music listening among music and nonmusic majors regarding four primary constituent elements of music--rhythm, dynamics, timbre, and melody. Finds that musicians do attend to listening in a significantly different manner than nonmusicians do. (DB)

Reports a study that involved the observation of string instrumentalists' performances in an effort to understand the various influences on the ability to perform with accurate intonation. Suggests that further investigation relative to the temporal aspects of intonation performances might be relevant to music education. (KO)

Reviews and critiques a doctoral dissertation that investigated the ability to detect tempo changes. Points out some omissions in the study, suggesting that its brevity caused the author to omit some possible interpretations. Comments that Ellis' research design provides new ideas for research. (LS)

Assesses musicians' perceptions of beat in monotonic stimuli and attempts to define empirically the range of perceived beat tempo in music. Subjects performed a metric pulse in response to periodic stimulus tones. Results indicate a relatively narrow range within which beats are perceived by trained musicians. (LS)

Examines how conductors and orchestras communicate. Communication is essentially nonverbal. Conductors use gestures, gaze, facial expression, nods and posture to deliver their message. Norbert Weiner's Cybernetic Theory of human communication is seen as a means of analyzing precisely how this musical communication takes place. (16 references) (LET)

Argues that the recording of music is both an act of social control and of aesthetics. Suggests that the remixing of previously recorded music to create a new recording is itself a form of artistic expression. Concludes that the possibility of remixing creates unending possibilities for artistic collaboration. (SG)

Continues a line of research attempting to ascertain the focus of musicians' attention when listening to music, particularly whether musicians demonstrate consistent listening patterns across excerpts designed to be perceived as good and bad performances. Indicates that musician-listeners consistently discriminated between good and bad…

Teaching parents, colleagues, and community members what happens in music programs is one way to encourage them to more actively support music education. Impressions of music education are often formed in a performance-based context. What people see at a performance--the band playing expressively in tune and in time, the lovely blending and…

Chances are that future music lovers are right now sitting in the orchestra, chorus, band, or general music class, waiting to be enlightened. True, they are working diligently in rehearsals toward excellent intonation in that Schumann transcription, and they seem to be loving the gem of a concert march they've been working on, but are they also…

Classroom teachers have numerous reasons to read to students. Reading to students aids in the understanding of story structure, broadens familiarity with different styles of books, and helps to increase vocabulary. Book language is often different from spoken language, and reading allows students to hear different ways of expressing thoughts.…

When selecting literature to study and perform in band, opportunities for enhancing students' understanding of the music may inadvertantly be missed. One such opportunity involves collaboration with other disciplines. The other disciplines inform the study of the music and, in turn, the association with music enhances study of the other…

The study of informal musical learning outside institutional settings, such as schools, has proved to contribute important knowledge to aspects of music education. Hip-hop, as an example of informal musical learning, has so far been quite an unexplored field for research. The present study investigates music creation within two hip-hop groups (…

We investigate the dynamics of sensory integration for perceiving musical performance, a complex natural behavior. Thirty musically trained participants saw, heard, or both saw and heard, performances by two clarinetists. All participants used a sliding potentiometer to make continuous judgments of tension (a measure correlated with emotional…

Music education occupations in the U.S. have been segregated by gender and race for decades. While women are most likely to teach young students in classroom settings, men are most likely to teach older students in all settings, but most particularly in wind/percussion ensembles. Despite gender-affirmative employment practices, men constitute a…

Many American Indian nations, tribes, and bands are at an elevated risk for premature death from unintentional injury. Previous research has documented a relationship between alcohol-related injury and subsequent injury death among predominately urban samples. The presence or nature of such a relationship has not been documented among American…