This is an important work that addresses the complex issues surrounding musical meaning and experience, and the Western traditional justification for including music in education. The chapters in this volume examine the important subjects of tradition, innovation, social change, the music curriculum, music in the twentieth century, social strata,…

The purpose of this ethnographic case study was to discover the manner in which two Irish musicians, Loretto Reid and Brian Taheny, taught/and or transmitted traditional music at the Celtic College Summer School in Goderich, Ontario. Two central questions, each followed by several sub-questions, served to focus the study: "How did you learn…

Research indicates that there is a strong relationship between leisure reading and school achievement, but the leisure reading habits of urban adolescents have rarely been studied. From their investigation of the leisure reading habits of 584 urban minority middle school students, the authors identify these key findings: (1) More than two-thirds…

An analysis of the lack of black control of the radio and television media which traces the impact of this powerlessness in the prostitution and theft of the art and music of the black musician. (EH)

Despite the international success of reggae music, a survey of Jamaican recording artists revealed disillusionment, anger and frustration with the national recording industry. Various artists identified a lack of professional ethics and discipline, and above all, lack of an updated copyright law as being at the root of the problem. Since Jamaica…

Using interviews and subcultural artifacts, such as inner sleeves of albums, this paper reports on the career of Holly Near and the history of Redwood Records, a label providing music to the lesbian-feminist subculture. First, the paper discusses the political and artistic avenues that were available to Near, the reasons she chose political music,…

The article offers an explanation of the effects of music on children within a hospital setting and points up the multifaceted nature of this experience. The nature of the client group allows the musical experience to work on many different levels, such as modifying the child's perception of pain and reducing stress, whilst at the same time having…

Article provided a colorful account of the development of Latin American music from the blending of European, African, and Indian elements through the contributions of early composers to the effect of folk music and instruments on contemporary composers. (Editor/RK)

The effective conductor accompanies word reduction with precision of statement. Author offered practical advice for any director who needs to watch his or her language more closely. He described evaluative, informative, remediative, and perfective phases of rehearsal language, and the initial, medial, and terminal stages of each phase. (Editor/RK)

Contests the absolute truth of the "up the river" theory about the growth of jazz in the United States. This is a straightforward history and music analysis of the New Orleans jazz style. (Editor/RK)

Discusses THE NEW YORK TIMES music critic Harold C. Schonberg's contributions to music education. Argues that Schonberg's articles about the contemporary music scene have helped to broaden the public's appreciation of music. Offers an in-depth look at the life of a man dedicated to music. (BSR)

The Music Performance Trust Funds (MPTF) is a national agency that sponsors live musical performances in schools, hospitals, clinics, senior citizen centers, penal institutions, and the like. In this interview a trustee for MPTF talks about the group's history and its commitment to quality performances in the schools. (RM)

Aspects of dance training can be helpful in improving performance skills on the piano. These include correct posture, breathing, and a physical sense of self. Learning to move to music, whether through formal training or on one's own, can help relaxation, concentration, and endurance. (CS)

John Heiss, a teacher and composer, describes how he came to write "Songs of Nature," a song cycle with text by nineteenth-century American poets. Heiss believes that, though a composer must know his craft, there should be room for intuition and the emotions in the creative process. (CS)